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Fashion Changes: The Role of the Audience in the Fashion Cycle.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Fashion Changes: The Role of the Audience in the Fashion Cycle./
作者:
Westenberger, Scott Cooper.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:
146 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-05, Section: B.
Contained By:
Dissertations Abstracts International83-05B.
標題:
Writers. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28812886
ISBN:
9798494453938
Fashion Changes: The Role of the Audience in the Fashion Cycle.
Westenberger, Scott Cooper.
Fashion Changes: The Role of the Audience in the Fashion Cycle.
- Ann Arbor : ProQuest Dissertations & Theses, 2021 - 146 p.
Source: Dissertations Abstracts International, Volume: 83-05, Section: B.
Thesis (Ph.D.)--Stanford University, 2021.
This item must not be sold to any third party vendors.
Why do we like the things that we like? Why do our tastes change over time, and why are we unable to predict these changes in advance? Despite a long tradition of research into these questions, it remains notoriously difficult to predict which previously unpopular and unfashionable things will become fashionable or popular tomorrow, and even more difficult to anticipate the reverse. Over the course of three separate but thematically connected empirical studies, I deploy a combination of empirical approaches (agent-based simulation models, a survey experiment, analysis of population-level survey data) and work to uncover demand-side mechanisms and processes relevant to understanding macro-level popularity fluctuations and consumption trends. Altogether, the three studies contribute to ongoing debates regarding the mechanisms governing fashion change.
ISBN: 9798494453938Subjects--Topical Terms:
3549409
Writers.
Fashion Changes: The Role of the Audience in the Fashion Cycle.
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Why do we like the things that we like? Why do our tastes change over time, and why are we unable to predict these changes in advance? Despite a long tradition of research into these questions, it remains notoriously difficult to predict which previously unpopular and unfashionable things will become fashionable or popular tomorrow, and even more difficult to anticipate the reverse. Over the course of three separate but thematically connected empirical studies, I deploy a combination of empirical approaches (agent-based simulation models, a survey experiment, analysis of population-level survey data) and work to uncover demand-side mechanisms and processes relevant to understanding macro-level popularity fluctuations and consumption trends. Altogether, the three studies contribute to ongoing debates regarding the mechanisms governing fashion change.
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