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Re-embodying drama therapy theory: The use and function of the body in drama therapy practice.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Re-embodying drama therapy theory: The use and function of the body in drama therapy practice./
作者:	Fraser, Donna.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1994,
面頁冊數:	136 p.
附註:	Source: Masters Abstracts International, Volume: 57-02.
Contained By:	Masters Abstracts International57-02.
標題:	Psychotherapy. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1361547
ISBN:	9798207844763

Re-embodying drama therapy theory: The use and function of the body in drama therapy practice.
Fraser, Donna.

Re-embodying drama therapy theory: The use and function of the body in drama therapy practice. - Ann Arbor : ProQuest Dissertations & Theses, 1994 - 136 p.

Source: Masters Abstracts International, Volume: 57-02.

Thesis (M.A.)--California Institute of Integral Studies, 1994.

This item must not be sold to any third party vendors.

This thesis investigates the contribution of the body to the practice of drama therapy. The dualistic idea that the self can be understood by examining the dialectical relationship between mind and body is challenged. An alternative perspective is put forth in which the self is constructed and known through engagement of all aspects of being in an embodied practice such as drama therapy. Research on cognition from the fields of New Biology, medicine and philosophy are presented in support of this view and compared to the perspective on the body taken by various Asian spiritual traditions. Research includes interviews with ten drama therapists and analysis of the researcher's personal experience. Research questions explore the body's relationship to healing, the body's role in interpersonal understanding and communication, and the body's role in the construction of the self.

ISBN: 9798207844763Subjects--Topical Terms:

519158
Psychotherapy.

Re-embodying drama therapy theory: The use and function of the body in drama therapy practice.
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520 $a This thesis investigates the contribution of the body to the practice of drama therapy. The dualistic idea that the self can be understood by examining the dialectical relationship between mind and body is challenged. An alternative perspective is put forth in which the self is constructed and known through engagement of all aspects of being in an embodied practice such as drama therapy. Research on cognition from the fields of New Biology, medicine and philosophy are presented in support of this view and compared to the perspective on the body taken by various Asian spiritual traditions. Research includes interviews with ten drama therapists and analysis of the researcher's personal experience. Research questions explore the body's relationship to healing, the body's role in interpersonal understanding and communication, and the body's role in the construction of the self.
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