東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Modernity and Utopia in Camille Pissarro's Countryside Markets.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Modernity and Utopia in Camille Pissarro's Countryside Markets./
Author:	Goldberg, J. Nathan.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	150 p.
Notes:	Source: Masters Abstracts International, Volume: 83-02.
Contained By:	Masters Abstracts International83-02.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28542036
ISBN:	9798534669145

Modernity and Utopia in Camille Pissarro's Countryside Markets.
Goldberg, J. Nathan.

Modernity and Utopia in Camille Pissarro's Countryside Markets. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 150 p.

Source: Masters Abstracts International, Volume: 83-02.

Thesis (M.A.)--State University of New York at Binghamton, 2021.

This item must not be sold to any third party vendors.

In Poultry Market at Gisors (1885), Camille Pissarro surveys the marketplace of this Normandy town, studying the commercial hustle and bustle of the scene. He depicts an ensemble of vendors surrounded by a sprawling market crowd, placing these purveyors at the center of countryside commerce as they take responsibility for the sale of their goods. But amidst the commerce, he also depicts a scene of community interaction and leisure: the vendors talk amongst themselves and with members of the crowd; the marketgoers stroll and converse throughout the market, with some even leaning up against trees as they survey the scene. By presenting a coexistence of commerce and community, Pissarro places the countryside market at the epicenter of modernity, a place of work or trade that is simultaneously a site of leisure.My thesis examines Pissarro's depictions of such marketplaces from 1870 to 1900, a time when the French countryside was modernizing through increased technological innovation and growing railway connections. Pissarro's depictions of markets are significant because of their importance to an understanding of the social dynamics between Paris, its urban avant-garde, and the countryside in nineteenth-century France. I argue that, through his representations of markets, Pissarro displays the countryside as a unique space of modernity outside Paris. His artworks depict the country market as a site of community, leisure, and trade, produced by a still-autonomous peasantry. At the same time, while insisting on the presence of modern economy and leisure in the countryside, Pissarro also depicts the marche as an idealized utopian space, one where exchange and sociability, labor and leisure, coexist.

ISBN: 9798534669145Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Pissarro, Camille

Modernity and Utopia in Camille Pissarro's Countryside Markets.
LDR:02760nmm a2200325 4500 001 2345377
005 20230119153233.5
008 241004s2021 ||||||||||||||||| ||eng d
020 $a 9798534669145
035 $a (MiAaPQ)AAI28542036
035 $a AAI28542036
040 $a MiAaPQ $c MiAaPQ
100 1 $a Goldberg, J. Nathan. $3 3684305
245 1 0 $a Modernity and Utopia in Camille Pissarro's Countryside Markets.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 150 p.
500 $a Source: Masters Abstracts International, Volume: 83-02.
500 $a Advisor: McDonough, Tom.
502 $a Thesis (M.A.)--State University of New York at Binghamton, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a In Poultry Market at Gisors (1885), Camille Pissarro surveys the marketplace of this Normandy town, studying the commercial hustle and bustle of the scene. He depicts an ensemble of vendors surrounded by a sprawling market crowd, placing these purveyors at the center of countryside commerce as they take responsibility for the sale of their goods. But amidst the commerce, he also depicts a scene of community interaction and leisure: the vendors talk amongst themselves and with members of the crowd; the marketgoers stroll and converse throughout the market, with some even leaning up against trees as they survey the scene. By presenting a coexistence of commerce and community, Pissarro places the countryside market at the epicenter of modernity, a place of work or trade that is simultaneously a site of leisure.My thesis examines Pissarro's depictions of such marketplaces from 1870 to 1900, a time when the French countryside was modernizing through increased technological innovation and growing railway connections. Pissarro's depictions of markets are significant because of their importance to an understanding of the social dynamics between Paris, its urban avant-garde, and the countryside in nineteenth-century France. I argue that, through his representations of markets, Pissarro displays the countryside as a unique space of modernity outside Paris. His artworks depict the country market as a site of community, leisure, and trade, produced by a still-autonomous peasantry. At the same time, while insisting on the presence of modern economy and leisure in the countryside, Pissarro also depicts the marche as an idealized utopian space, one where exchange and sociability, labor and leisure, coexist.
590 $a School code: 0792.
650 4 $a Art history. $3 2122701
650 4 $a Artists. $3 524768
650 4 $a Women. $3 531755
650 4 $a Anarchism. $3 531846
650 4 $a Politics. $3 685427
650 4 $a Impressionism. $3 522088
650 4 $a Painting. $3 524049
653 $a Pissarro, Camille
653 $a Poultry Market at Gisors
653 $a Marketplaces
690 $a 0377
710 2 $a State University of New York at Binghamton. $b Art History. $3 1279029
773 0 $t Masters Abstracts International $g 83-02.
790 $a 0792
791 $a M.A.
792 $a 2021
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28542036