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Unscripted Intimacies: Negotiating Consent in Gamified Performance = = Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Unscripted Intimacies: Negotiating Consent in Gamified Performance =/
Reminder of title:	Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado.
Author:	Hartley Villarreal, Amanda Rose.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	279 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Contained By:	Dissertations Abstracts International83-03A.
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28649766
ISBN:	9798538119868

Unscripted Intimacies: Negotiating Consent in Gamified Performance = = Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado.
Hartley Villarreal, Amanda Rose.

Unscripted Intimacies: Negotiating Consent in Gamified Performance =Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 279 p.

Source: Dissertations Abstracts International, Volume: 83-03, Section: A.

Thesis (Ph.D.)--University of Colorado at Boulder, 2021.

This item must not be sold to any third party vendors.

Since the #MeToo and #TimesUp movements permeated the U.S. zeitgeist, theatrical unions such as the Actors' Equity Association (AEA) have begun advocating for the use of intimacy choreographers to ensure that performers are empowered to overcome the power imbalances created by actor-director relationships. An intimacy choreographer creates specific, recordable, and repeatable choreography by using techniques specifically developed to neutralize power imbalances and facilitate clear boundary setting to protect performers both physically and emotionally. Immersive performance, however, is characterized by interactivity, and interactions between audience members and actors are often unscripted and unchoreographed. Many of these encounters are designed to invite spontaneity in physical and emotional contact, which can create impactful performances within ethically questionable circumstances. This is illustrated by blockbuster immersive experiences such as The Lust Experience, in which audience members were pressured to engage in sexual activity during performances, or McKamey Manor, a horror-themed experience built to push audience members beyond their breaking points. Most immersive performances do not aim to harm audiences. But, in the intimate spontaneity of unscripted encounters that often unfold in private between small groups or two individuals, how can consent be established within the theatrical world of an immersive production? When the call for consent in traditional staging practices has been so ardent, this dissertation calls to attention the specific ethical concerns that come into play when actors and audience interact with one another in close physical proximity, and analyzes practices for those participating in, and creating, this increasingly popular form. Due to COVID and the cancellation of many immersive experiences nationwide, this dissertation has been reframed to also consider the role of consent and concerns that arise within immersive performances that unfold in digital spaces and virtual reality. To do so, I must first ask: what are the verbal, somatic, and virtual mechanisms by which immersive creators attempt to imbue audience-performer interactions with consent, and what impact do these practices have upon participants?

ISBN: 9798538119868Subjects--Topical Terms:

522973
Theater.
Subjects--Index Terms:

Consent

Unscripted Intimacies: Negotiating Consent in Gamified Performance = = Intimidades sin guion: Negociacion del consentimiento en el desempeno gamificado.
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520 $a Since the #MeToo and #TimesUp movements permeated the U.S. zeitgeist, theatrical unions such as the Actors' Equity Association (AEA) have begun advocating for the use of intimacy choreographers to ensure that performers are empowered to overcome the power imbalances created by actor-director relationships. An intimacy choreographer creates specific, recordable, and repeatable choreography by using techniques specifically developed to neutralize power imbalances and facilitate clear boundary setting to protect performers both physically and emotionally. Immersive performance, however, is characterized by interactivity, and interactions between audience members and actors are often unscripted and unchoreographed. Many of these encounters are designed to invite spontaneity in physical and emotional contact, which can create impactful performances within ethically questionable circumstances. This is illustrated by blockbuster immersive experiences such as The Lust Experience, in which audience members were pressured to engage in sexual activity during performances, or McKamey Manor, a horror-themed experience built to push audience members beyond their breaking points. Most immersive performances do not aim to harm audiences. But, in the intimate spontaneity of unscripted encounters that often unfold in private between small groups or two individuals, how can consent be established within the theatrical world of an immersive production? When the call for consent in traditional staging practices has been so ardent, this dissertation calls to attention the specific ethical concerns that come into play when actors and audience interact with one another in close physical proximity, and analyzes practices for those participating in, and creating, this increasingly popular form. Due to COVID and the cancellation of many immersive experiences nationwide, this dissertation has been reframed to also consider the role of consent and concerns that arise within immersive performances that unfold in digital spaces and virtual reality. To do so, I must first ask: what are the verbal, somatic, and virtual mechanisms by which immersive creators attempt to imbue audience-performer interactions with consent, and what impact do these practices have upon participants?
520 $a Desde que los movimientos #MeToo y #TimesUp impregnaron el zeitgeist de EE. UU., Los sindicatos teatrales como la Actors 'Equity Association (AEA) han comenzado a abogar por el uso de coreografos de intimidad para garantizar que los artistas esten empoderados para superar los desequilibrios de poder creados por el actor-director. relaciones. Un coreografo de intimidad crea coreografias especificas, grabables y repetibles mediante el uso de tecnicas desarrolladas especificamente para neutralizar los desequilibrios de poder y facilitar el establecimiento de limites claros para proteger a los artistas tanto fisica como emocionalmente. Sin embargo, la interpretacion inmersiva se caracteriza por la interactividad, y las interacciones entre los miembros de la audiencia y los actores a menudo no tienen guion ni coreografias. Muchos de estos encuentros estan disenados para invitar a la espontaneidad en el contacto fisico y emocional, lo que puede crear actuaciones impactantes en circunstancias eticamente cuestionables. Esto se ilustra con experiencias inmersivas de exito de taquilla como The Lust Experience, en la que los miembros de la audiencia fueron presionados para participar en actividades sexuales durante las actuaciones, o McKamey Manor, una experiencia con tematica de terror creada para empujar a los miembros de la audiencia mas alla de sus puntos de ruptura. La mayoria de las actuaciones inmersivas no tienen como objetivo danar al publico. Pero, en la intima espontaneidad de los encuentros sin guion que a menudo se desarrollan en privado entre pequenos grupos o dos individuos, ¿como se puede establecer el consentimiento dentro del mundo teatral de una produccion inmersiva?Cuando el llamado al consentimiento en las practicas tradicionales de puesta en escena ha sido tan ardiente, esta disertacion llama la atencion sobre las preocupaciones eticas especificas que entran en juego cuando los actores y la audiencia interactuan entre si en estrecha proximidad fisica, y analiza las practicas de quienes participan y crean , esta forma cada vez mas popular. Debido a COVID y la cancelacion de muchas experiencias inmersivas en todo el pais, esta disertacion se ha reformulado para considerar tambien el papel del consentimiento y las preocupaciones que surgen dentro de las actuaciones inmersivas que se desarrollan en los espacios digitales y la realidad virtual. Para hacerlo, primero debo preguntar: ¿Cuales son los mecanismos verbales, somaticos y virtuales mediante los cuales los creadores inmersivos intentan imbuir de consentimiento las interacciones entre la audiencia y el actor, y que impacto tienen estas practicas en los participantes?
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