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A philosophy of ambient sound = mate...

Schmidt, Ulrik.

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A philosophy of ambient sound = materiality, technology, art and the sonic environment /

Record Type:	Electronic resources : Monograph/item
Title/Author:	A philosophy of ambient sound/ by Ulrik Schmidt.
Reminder of title:	materiality, technology, art and the sonic environment /
Author:	Schmidt, Ulrik.
Published:	Singapore :Springer Nature Singapore : : 2023.,
Description:	xiii, 291 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- PART 1: FIELDS -- Effects of Being-in -- Environmental and Surrounding Sounds -- Field Effects -- PART 2: STRATEGIES -- Sonic Mediatization -- Synthetic Strategies -- Ambient Sound Design -- PART 3: FRAMES -- Staging Ambient Listening -- Architectures of Acoustic Immanence -- Amplified Surrounds -- Mobile Infrastructures of Everyday Listening -- Epilogue. Generic, Inattentive, Asocial.
Contained By:	Springer Nature eBook
Subject:	Ambient sounds. -
Online resource:	https://doi.org/10.1007/978-981-99-1755-6
ISBN:	9789819917556

A philosophy of ambient sound = materiality, technology, art and the sonic environment /
Schmidt, Ulrik.

A philosophy of ambient soundmateriality, technology, art and the sonic environment /[electronic resource] :by Ulrik Schmidt. - Singapore :Springer Nature Singapore :2023. - xiii, 291 p. :ill., digital ;24 cm. - Palgrave studies in sound,2633-5883. - Palgrave studies in sound..

Introduction -- PART 1: FIELDS -- Effects of Being-in -- Environmental and Surrounding Sounds -- Field Effects -- PART 2: STRATEGIES -- Sonic Mediatization -- Synthetic Strategies -- Ambient Sound Design -- PART 3: FRAMES -- Staging Ambient Listening -- Architectures of Acoustic Immanence -- Amplified Surrounds -- Mobile Infrastructures of Everyday Listening -- Epilogue. Generic, Inattentive, Asocial.

This book presents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening. Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound's relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment - from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening.

ISBN: 9789819917556

Standard No.: 10.1007/978-981-99-1755-6doiSubjects--Topical Terms:

3662465
Ambient sounds.

LC Class. No.: B105.S59

Dewey Class. No.: 121.35

A philosophy of ambient sound = materiality, technology, art and the sonic environment /
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505 0 $a Introduction -- PART 1: FIELDS -- Effects of Being-in -- Environmental and Surrounding Sounds -- Field Effects -- PART 2: STRATEGIES -- Sonic Mediatization -- Synthetic Strategies -- Ambient Sound Design -- PART 3: FRAMES -- Staging Ambient Listening -- Architectures of Acoustic Immanence -- Amplified Surrounds -- Mobile Infrastructures of Everyday Listening -- Epilogue. Generic, Inattentive, Asocial.
520 $a This book presents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening. Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound's relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment - from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening.
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