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Asylum and belonging through collect...
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Gron, Helene.
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Asylum and belonging through collective playwriting = "how much home does a person need?" /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Asylum and belonging through collective playwriting/ by Helene Gron.
Reminder of title:
"how much home does a person need?" /
Author:
Gron, Helene.
Published:
Cham :Springer International Publishing : : 2023.,
Description:
xix, 256 p. :ill., digital ;24 cm.
[NT 15003449]:
Chapter 1:Introduction: 'How Much Home Does a Person Need?' -- Chapter 2: Ontologies of Belonging: Philosophical, Historical and Narratological Considerations -- Chapter 3: Dramaturgical Ethics: Undoing and Decreating -- Chapter 4: Ethnoplaywriting: Creating Belonging -- Chapter 5: Rebooting the Social Contract: Trampoline House and Deportation Centre Sjælsmark -- Chapter 6: Fieldwork Reflection: 'Not just theatre, also politics, law'-Making Theatre in Deportation Centre Sjælsmark -- Chapter 7: 'You are enough, you belong with us': Reimagining Sisterhood as Collective Belonging -- Chapter 8: Fieldwork Reflection: The Sistas and Amazing Amelia -- Chapter 9: Conclusion: 'Much Home'.
Contained By:
Springer Nature eBook
Subject:
Multiculturalism in the theater. -
Online resource:
https://doi.org/10.1007/978-3-031-24808-5
ISBN:
9783031248085
Asylum and belonging through collective playwriting = "how much home does a person need?" /
Gron, Helene.
Asylum and belonging through collective playwriting
"how much home does a person need?" /[electronic resource] :by Helene Gron. - Cham :Springer International Publishing :2023. - xix, 256 p. :ill., digital ;24 cm.
Chapter 1:Introduction: 'How Much Home Does a Person Need?' -- Chapter 2: Ontologies of Belonging: Philosophical, Historical and Narratological Considerations -- Chapter 3: Dramaturgical Ethics: Undoing and Decreating -- Chapter 4: Ethnoplaywriting: Creating Belonging -- Chapter 5: Rebooting the Social Contract: Trampoline House and Deportation Centre Sjælsmark -- Chapter 6: Fieldwork Reflection: 'Not just theatre, also politics, law'-Making Theatre in Deportation Centre Sjælsmark -- Chapter 7: 'You are enough, you belong with us': Reimagining Sisterhood as Collective Belonging -- Chapter 8: Fieldwork Reflection: The Sistas and Amazing Amelia -- Chapter 9: Conclusion: 'Much Home'.
"This book is an intellectual trampoline. It makes you bounce, turn somersaults, back flips and then drop to your knees. It's the opposite of a rollercoaster. It helps you see above, beyond, behind and beneath. Serious exercise for mind, body and spirit, stretching concepts of home and belonging like elastic so show all the many powerful and extraordinary ways those who have to re-home themselves or make home with strangers open up new horizons for us all, giving us a glimpse of life over the fence." - Alison Phipps, Professor of Languages and Intercultural Studies UNESCO Chair in Refugee Integration through Languages and the Arts, University of Glasgow This book explores the notion of home in the wake of the so-called refugee crisis, and asks how home and belonging can be rethought through the act of creative practices and collective writing with refugees and asylum seekers. Where Giorgio Agamben calls the refugee 'the figure of our time', this study places the question of home among those who experience its ruptures. Veering away from treating the refugee as a conceptual figure, the lived experiences and creative expressions of seeking asylum in Denmark and the United Kingdom are explored instead. The study produces a theoretical framework around home by drawing from a cross-disciplinary field of existential and political philosophy, narratology, performance studies and anthropology. Moreover, it argues that theatre studies is uniquely positioned to understand the performative and storied aspects of seeking asylum and the compromises of belonging made through the asylum process. Helene Grøn holds a PhD in Theatre Studies from the University of Glasgow and Glasgow Refugee, Asylum and Migration Network, and is currently a Postdoc at the University of Copenhagen, Denmark. She is also a writer and librettist, whose work has been performed and published. Helene's academic work has appeared in Research in Drama Education and Scottish Journal of Performance. She often combines research and politically engaged arts-practice around themes of refugees, asylum, migration and storytelling.
ISBN: 9783031248085
Standard No.: 10.1007/978-3-031-24808-5doiSubjects--Topical Terms:
3662103
Multiculturalism in the theater.
LC Class. No.: PN20494 / .G76 2023
Dewey Class. No.: 792.086914
Asylum and belonging through collective playwriting = "how much home does a person need?" /
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Chapter 1:Introduction: 'How Much Home Does a Person Need?' -- Chapter 2: Ontologies of Belonging: Philosophical, Historical and Narratological Considerations -- Chapter 3: Dramaturgical Ethics: Undoing and Decreating -- Chapter 4: Ethnoplaywriting: Creating Belonging -- Chapter 5: Rebooting the Social Contract: Trampoline House and Deportation Centre Sjælsmark -- Chapter 6: Fieldwork Reflection: 'Not just theatre, also politics, law'-Making Theatre in Deportation Centre Sjælsmark -- Chapter 7: 'You are enough, you belong with us': Reimagining Sisterhood as Collective Belonging -- Chapter 8: Fieldwork Reflection: The Sistas and Amazing Amelia -- Chapter 9: Conclusion: 'Much Home'.
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"This book is an intellectual trampoline. It makes you bounce, turn somersaults, back flips and then drop to your knees. It's the opposite of a rollercoaster. It helps you see above, beyond, behind and beneath. Serious exercise for mind, body and spirit, stretching concepts of home and belonging like elastic so show all the many powerful and extraordinary ways those who have to re-home themselves or make home with strangers open up new horizons for us all, giving us a glimpse of life over the fence." - Alison Phipps, Professor of Languages and Intercultural Studies UNESCO Chair in Refugee Integration through Languages and the Arts, University of Glasgow This book explores the notion of home in the wake of the so-called refugee crisis, and asks how home and belonging can be rethought through the act of creative practices and collective writing with refugees and asylum seekers. Where Giorgio Agamben calls the refugee 'the figure of our time', this study places the question of home among those who experience its ruptures. Veering away from treating the refugee as a conceptual figure, the lived experiences and creative expressions of seeking asylum in Denmark and the United Kingdom are explored instead. The study produces a theoretical framework around home by drawing from a cross-disciplinary field of existential and political philosophy, narratology, performance studies and anthropology. Moreover, it argues that theatre studies is uniquely positioned to understand the performative and storied aspects of seeking asylum and the compromises of belonging made through the asylum process. Helene Grøn holds a PhD in Theatre Studies from the University of Glasgow and Glasgow Refugee, Asylum and Migration Network, and is currently a Postdoc at the University of Copenhagen, Denmark. She is also a writer and librettist, whose work has been performed and published. Helene's academic work has appeared in Research in Drama Education and Scottish Journal of Performance. She often combines research and politically engaged arts-practice around themes of refugees, asylum, migration and storytelling.
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Literature, Cultural and Media Studies (SpringerNature-41173)
based on 0 review(s)
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W9458515
電子資源
11.線上閱覽_V
電子書
EB PN20494 .G76 2023
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