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Urban landscapes and national vision...

Ballard, Gemma.

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Urban landscapes and national visions in post-millennial South Korean cinema = from Seoul to Soul /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Urban landscapes and national visions in post-millennial South Korean cinema/ by Gemma Ballard.
Reminder of title:	from Seoul to Soul /
Author:	Ballard, Gemma.
Published:	Cham :Springer International Publishing : : 2023.,
Description:	1 online resource (xi, 173 p.) :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. The Psycho-Geographical City -- 3. The Generic City -- 4. The Hyper-Masculine City -- 5. The Suppressive City -- 6. The Oppositional City -- 7. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Motion pictures - History. - Korea (South) -
Online resource:	https://doi.org/10.1007/978-3-031-29739-7
ISBN:	9783031297397

Urban landscapes and national visions in post-millennial South Korean cinema = from Seoul to Soul /
Ballard, Gemma.

Urban landscapes and national visions in post-millennial South Korean cinemafrom Seoul to Soul /[electronic resource] :by Gemma Ballard. - Cham :Springer International Publishing :2023. - 1 online resource (xi, 173 p.) :ill., digital ;24 cm. - East Asian popular culture,2634-5943. - East Asian popular culture..

1. Introduction -- 2. The Psycho-Geographical City -- 3. The Generic City -- 4. The Hyper-Masculine City -- 5. The Suppressive City -- 6. The Oppositional City -- 7. Conclusion.

This book explores South Korean cinema's inimitable relationship with the urban landscape and identifies the ways in which Seoul is utilised as a celluloid canvas, national artefact and, above all else, a distinctive cultural backdrop. Using five diﬀerent approaches to urban space, from five distinctive and contrasting theoretical perspectives, Urban Landscapes in Post-Millennial South Korean Cinema investigates and seeks to understand why the cinematic representation, identity and presence of Seoul have been central to the preservation and recognition of the South Korean film industry as an independent, autonomous and nationally unique institution. Gemma Ballard currently works as a lecturer in the School of East Asian Studies (SEAS) at the University of Sheffield, UK. Her research background is in Film Studies and Film Theory. She is particularly interested in discussions around national and transnational cinemas, cinematic landscapes, genre theory and narratives of postmodernity. In 2021 and 2022, she presented her work at the prestigious International South Korean Women's Cinema Conference and the Sheffield Centre for Research in Film (SCRIF)

ISBN: 9783031297397

Standard No.: 10.1007/978-3-031-29739-7doiSubjects--Topical Terms:

854063
Motion pictures
--History.--Korea (South)

LC Class. No.: PN1993.5.K6

Dewey Class. No.: 791.4309951

Urban landscapes and national visions in post-millennial South Korean cinema = from Seoul to Soul /
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505 0 $a 1. Introduction -- 2. The Psycho-Geographical City -- 3. The Generic City -- 4. The Hyper-Masculine City -- 5. The Suppressive City -- 6. The Oppositional City -- 7. Conclusion.
520 $a This book explores South Korean cinema's inimitable relationship with the urban landscape and identifies the ways in which Seoul is utilised as a celluloid canvas, national artefact and, above all else, a distinctive cultural backdrop. Using five diﬀerent approaches to urban space, from five distinctive and contrasting theoretical perspectives, Urban Landscapes in Post-Millennial South Korean Cinema investigates and seeks to understand why the cinematic representation, identity and presence of Seoul have been central to the preservation and recognition of the South Korean film industry as an independent, autonomous and nationally unique institution. Gemma Ballard currently works as a lecturer in the School of East Asian Studies (SEAS) at the University of Sheffield, UK. Her research background is in Film Studies and Film Theory. She is particularly interested in discussions around national and transnational cinemas, cinematic landscapes, genre theory and narratives of postmodernity. In 2021 and 2022, she presented her work at the prestigious International South Korean Women's Cinema Conference and the Sheffield Centre for Research in Film (SCRIF)
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