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Musicology and dance = historical an...

Caddy, Davinia.

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Musicology and dance = historical and critical perspectives /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Musicology and dance/ edited by Davinia Caddy, Maribeth Clark.
其他題名:	historical and critical perspectives /
其他題名:	Musicology & dance
其他作者:	Caddy, Davinia.
出版者:	Cambridge :Cambridge University Press, : 2020.,
面頁冊數:	xvi, 309 p. :ill., digital ;24 cm.
附註:	Title from publisher's bibliographic system (viewed on 21 Sep 2020).
內容註:	Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark.
標題:	Dance music - History and criticism. -
電子資源:	https://doi.org/10.1017/9781108567947
ISBN:	9781108567947

Musicology and dance = historical and critical perspectives /
Musicology and dancehistorical and critical perspectives /[electronic resource] :Musicology & danceedited by Davinia Caddy, Maribeth Clark. - Cambridge :Cambridge University Press,2020. - xvi, 309 p. :ill., digital ;24 cm.

Title from publisher's bibliographic system (viewed on 21 Sep 2020).

Conceptual studies. J. S. Bach and the dance of humankind / John Butt ; Dance as 'Other' : Contrasting modes of musical representation / Suzanne Aspden ; Thinking on our feet : A somatic enquiry into a Haydn minuet ; Joseph Fort ; Making moves in reception studies : Music, listening and Loie Fuller / Davinia Caddy -- Case histories. The 'splendid and shameful art' : Dancing in and around the Wagnerian Gesamtkunstwerk / Thomas Grey ; Hymnody, dance and the sacred in the illustrated song / Marian Wilson Kimber ; Pavanes and passepieds in the age of the cancan / Carlo Caballero -- Critical readings. Nijinsky, modernism, repression : The Faune ballet - once again - under analysis / David J. Code ; Choreographing Mahler songs at the centenary / Wayne Heisler Jr ; Embodied heritage : English country dance in Austen screen adaptations / Maribeth Clark.

Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.

ISBN: 9781108567947Subjects--Topical Terms:

3615867
Dance music
--History and criticism.

LC Class. No.: ML3400 / .M87 2020

Dewey Class. No.: 781.55409

Musicology and dance = historical and critical perspectives /
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520 $a Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.
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