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Shakespeare, music and performance

Barclay, Bill.

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Shakespeare, music and performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Shakespeare, music and performance/ edited by Bill Barclay, David Lindley.
其他作者:	Barclay, Bill.
出版者:	Cambridge :Cambridge University Press, : 2017.,
面頁冊數:	xv, 286 p. :ill., digital ;24 cm.
附註:	"The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements.
標題:	Music in the theater. -
電子資源:	https://doi.org/10.1017/9781316488768
ISBN:	9781316488768

Shakespeare, music and performance
Shakespeare, music and performance[electronic resource] /edited by Bill Barclay, David Lindley. - Cambridge :Cambridge University Press,2017. - xv, 286 p. :ill., digital ;24 cm.

"The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements.

Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.

ISBN: 9781316488768Subjects--Personal Names:

522922
Shakespeare, William,
1564-1616--Dramatic production.Subjects--Topical Terms:

1599550
Music in the theater.

LC Class. No.: PR3091 / .S3665 2017

Dewey Class. No.: 822.33

Shakespeare, music and performance
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245 0 0 $a Shakespeare, music and performance $h [electronic resource] / $c edited by Bill Barclay, David Lindley.
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500 $a "The origins of this book lie in a conference organised by the editors at Shakespeare's Globe in 2013"--Acknowledgements.
500 $a Title from publisher's bibliographic system (viewed on 25 May 2017).
520 $a Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
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