東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Durational cinema = a short history ...

Walsh, Michael.

FindBook

Google Book

Amazon

博客來

Durational cinema = a short history of long films /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Durational cinema/ by Michael Walsh.
其他題名:	a short history of long films /
作者:	Walsh, Michael.
出版者:	Cham :Springer International Publishing : : 2022.,
面頁冊數:	xiii, 289 p. :ill., digital ;24 cm.
內容註:	1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary.
Contained By:	Springer Nature eBook
標題:	Motion pictures - History - 20th century. -
電子資源:	https://doi.org/10.1007/978-3-030-76092-2
ISBN:	9783030760922

Durational cinema = a short history of long films /
Walsh, Michael.

Durational cinemaa short history of long films /[electronic resource] :by Michael Walsh. - Cham :Springer International Publishing :2022. - xiii, 289 p. :ill., digital ;24 cm. - Experimental film and artists' moving image,2523-7535. - Experimental film and artists' moving image..

1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary.

This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of social disgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people.

ISBN: 9783030760922

Standard No.: 10.1007/978-3-030-76092-2doiSubjects--Topical Terms:

1093521
Motion pictures
--History--20th century.

LC Class. No.: PN1993.5.A1

Dewey Class. No.: 791.43

Durational cinema = a short history of long films /
LDR:02394nmm a2200337 a 4500 001 2306957
003 DE-He213
005 20221208194636.0
006 m d
007 cr nn 008maaau
008 230421s2022 sz s 0 eng d
020 $a 9783030760922 $q (electronic bk.)
020 $a 9783030760915 $q (paper)
024 7 $a 10.1007/978-3-030-76092-2 $2 doi
035 $a 978-3-030-76092-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.A1
072 7 $a APFN $2 bicssc
072 7 $a ART057000 $2 bisacsh
072 7 $a ATF $x 6AQ $2 thema
082 0 4 $a 791.43 $2 23
090 $a PN1993.5.A1 $b W226 2022
100 1 $a Walsh, Michael. $3 537878
245 1 0 $a Durational cinema $h [electronic resource] : $b a short history of long films / $c by Michael Walsh.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xiii, 289 p. : $b ill., digital ; $c 24 cm.
490 1 $a Experimental film and artists' moving image, $x 2523-7535
505 0 $a 1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary.
520 $a This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of social disgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people.
650 0 $a Motion pictures $x History $y 20th century. $3 1093521
650 0 $a Motion pictures $x History $y 21st century. $3 2022816
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Experimental film and artists' moving image. $3 3487120
856 4 0 $u https://doi.org/10.1007/978-3-030-76092-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)