東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Music, mathematics and language = th...

Hirata, Keiji.

Linked to FindBook

Google Book

Amazon

博客來

Music, mathematics and language = the new horizon of computational musicology opened by information science /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music, mathematics and language/ by Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka.
Reminder of title:	the new horizon of computational musicology opened by information science /
Author:	Hirata, Keiji.
other author:	Tojo, Satoshi.
Published:	Singapore :Springer Nature Singapore : : 2022.,
Description:	xiv, 257 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	Chapter 1: Toward the Machine Computing Semantics of Music -- Chapter 2: Mathematics of Temperament: Principle and Development -- Chapter 3: Music and Natural Language -- Chapter 4: Berklee Method -- Chapter 5: Implication-Realization Model -- Chapter 6: Generative Theory of Tonal Music and Tonal Pitch Space -- Chapter 7: Formalization of GTTM -- Chapter 8: Implementation of GTTM -- Chapter 9: Application of GTTM -- Chapter 10: Epilogue.
Contained By:	Springer Nature eBook
Subject:	Music - Data processing. -
Online resource:	https://doi.org/10.1007/978-981-19-5166-4
ISBN:	9789811951664

Music, mathematics and language = the new horizon of computational musicology opened by information science /
Hirata, Keiji.

Music, mathematics and languagethe new horizon of computational musicology opened by information science /[electronic resource] :by Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka. - Singapore :Springer Nature Singapore :2022. - xiv, 257 p. :ill. (some col.), digital ;24 cm.

Chapter 1: Toward the Machine Computing Semantics of Music -- Chapter 2: Mathematics of Temperament: Principle and Development -- Chapter 3: Music and Natural Language -- Chapter 4: Berklee Method -- Chapter 5: Implication-Realization Model -- Chapter 6: Generative Theory of Tonal Music and Tonal Pitch Space -- Chapter 7: Formalization of GTTM -- Chapter 8: Implementation of GTTM -- Chapter 9: Application of GTTM -- Chapter 10: Epilogue.

This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, "Music and Language," explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation - the Berklee method, which originated at the Berklee School of Music in Boston - from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence. This book is intended both for general readers who are interested in music, and scientists whose research focuses on music information processing. In order to make the content as accessible as possible, each chapter is self-contained.

ISBN: 9789811951664

Standard No.: 10.1007/978-981-19-5166-4doiSubjects--Topical Terms:

666503
Music
--Data processing.

LC Class. No.: ML74

Dewey Class. No.: 780.285

Music, mathematics and language = the new horizon of computational musicology opened by information science /
LDR:03593nmm a2200325 a 4500 001 2306743
003 DE-He213
005 20221205060321.0
006 m d
007 cr nn 008maaau
008 230421s2022 si s 0 eng d
020 $a 9789811951664 $q (electronic bk.)
020 $a 9789811951657 $q (paper)
024 7 $a 10.1007/978-981-19-5166-4 $2 doi
035 $a 978-981-19-5166-4
040 $a GP $c GP
041 0 $a eng
050 4 $a ML74
072 7 $a UYQ $2 bicssc
072 7 $a COM004000 $2 bisacsh
072 7 $a UYQ $2 thema
082 0 4 $a 780.285 $2 23
090 $a ML74 $b .H668 2022
100 1 $a Hirata, Keiji. $3 3611231
245 1 0 $a Music, mathematics and language $h [electronic resource] : $b the new horizon of computational musicology opened by information science / $c by Keiji Hirata, Satoshi Tojo, Masatoshi Hamanaka.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2022.
300 $a xiv, 257 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Chapter 1: Toward the Machine Computing Semantics of Music -- Chapter 2: Mathematics of Temperament: Principle and Development -- Chapter 3: Music and Natural Language -- Chapter 4: Berklee Method -- Chapter 5: Implication-Realization Model -- Chapter 6: Generative Theory of Tonal Music and Tonal Pitch Space -- Chapter 7: Formalization of GTTM -- Chapter 8: Implementation of GTTM -- Chapter 9: Application of GTTM -- Chapter 10: Epilogue.
520 $a This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, "Music and Language," explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation - the Berklee method, which originated at the Berklee School of Music in Boston - from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence. This book is intended both for general readers who are interested in music, and scientists whose research focuses on music information processing. In order to make the content as accessible as possible, each chapter is self-contained.
650 0 $a Music $x Data processing. $3 666503
650 0 $a Musicology. $3 575902
700 1 $a Tojo, Satoshi. $3 3611232
700 1 $a Hamanaka, Masatoshi. $3 3611233
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-19-5166-4
950 $a Computer Science (SpringerNature-11645)