東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Viewing photography in post-dictator...

Rojinsky, David.

Linked to FindBook

Google Book

Amazon

博客來

Viewing photography in post-dictatorship Latin America = visual interruptions, 1997-2016 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Viewing photography in post-dictatorship Latin America/ by David Rojinsky.
Reminder of title:	visual interruptions, 1997-2016 /
Author:	Rojinsky, David.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xvii, 293 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Visual Interruptions -- Chapter 2: Vernacular Presence -- Chapter 3: Imagined Genealogies -- Chapter 4: Memory Walls -- Chapter 5: Absent Gazes -- Chapter 6: Never Again! -- Chapter 7: Disappeared (Epilogue)
Contained By:	Springer Nature eBook
Subject:	Collective memory - Latin America. -
Subject:	Latin America - History - 20th century -
Online resource:	https://doi.org/10.1007/978-3-031-17590-9
ISBN:	9783031175909

Viewing photography in post-dictatorship Latin America = visual interruptions, 1997-2016 /
Rojinsky, David.

Viewing photography in post-dictatorship Latin Americavisual interruptions, 1997-2016 /[electronic resource] :by David Rojinsky. - Cham :Springer International Publishing :2022. - xvii, 293 p. :ill., digital ;24 cm.

Chapter 1: Visual Interruptions -- Chapter 2: Vernacular Presence -- Chapter 3: Imagined Genealogies -- Chapter 4: Memory Walls -- Chapter 5: Absent Gazes -- Chapter 6: Never Again! -- Chapter 7: Disappeared (Epilogue)

This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by "the end of history" and, with the advent of digital technologies, by "the end of photography," these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer's affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle. David Rojinsky is a UK-based independent researcher specialising in Latin American and Iberian visual cultures. His articles have appeared in A Contracorriente, Bulletin of Spanish Visual Studies, Journal of Romance Studies and Journal of Iberian and Latin American Studies. He is the author of the monograph, Companion to Empire: A Genealogy of the Written Word in Spain and New Spain, c. 550-1550, published in 2010.

ISBN: 9783031175909

Standard No.: 10.1007/978-3-031-17590-9doiSubjects--Topical Terms:

1546462
Collective memory
--Latin America.Subjects--Geographical Terms:

3609188
Latin America
--History--20th century

LC Class. No.: F1408.3 / .R65 2022

Dewey Class. No.: 980.0072

Viewing photography in post-dictatorship Latin America = visual interruptions, 1997-2016 /
LDR:02925nmm a2200325 a 4500 001 2305769
003 DE-He213
005 20221130153612.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783031175909 $q (electronic bk.)
020 $a 9783031175893 $q (paper)
024 7 $a 10.1007/978-3-031-17590-9 $2 doi
035 $a 978-3-031-17590-9
040 $a GP $c GP
041 0 $a eng
050 4 $a F1408.3 $b .R65 2022
072 7 $a AJ $2 bicssc
072 7 $a PHO000000 $2 bisacsh
072 7 $a AJ $2 thema
082 0 4 $a 980.0072 $2 23
090 $a F1408.3 $b .R741 2022
100 1 $a Rojinsky, David. $3 3609187
245 1 0 $a Viewing photography in post-dictatorship Latin America $h [electronic resource] : $b visual interruptions, 1997-2016 / $c by David Rojinsky.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xvii, 293 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Visual Interruptions -- Chapter 2: Vernacular Presence -- Chapter 3: Imagined Genealogies -- Chapter 4: Memory Walls -- Chapter 5: Absent Gazes -- Chapter 6: Never Again! -- Chapter 7: Disappeared (Epilogue)
520 $a This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by "the end of history" and, with the advent of digital technologies, by "the end of photography," these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer's affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle. David Rojinsky is a UK-based independent researcher specialising in Latin American and Iberian visual cultures. His articles have appeared in A Contracorriente, Bulletin of Spanish Visual Studies, Journal of Romance Studies and Journal of Iberian and Latin American Studies. He is the author of the monograph, Companion to Empire: A Genealogy of the Written Word in Spain and New Spain, c. 550-1550, published in 2010.
650 0 $a Collective memory $z Latin America. $3 1546462
650 0 $a Postmortem photography $z Latin America. $3 3609189
650 0 $a Historiography and photography $z Latin America. $3 3609190
650 0 $a Memory in art. $3 589476
651 0 $a Latin America $x History $y 20th century $x Sources. $3 3609188
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-17590-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)