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Hafsids and Habsburgs in the early m...
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Baskins, Cristelle Louise.
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Hafsids and Habsburgs in the early modern Mediterranean = facing Tunis /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Hafsids and Habsburgs in the early modern Mediterranean/ by Cristelle L. Baskins.
其他題名:
facing Tunis /
作者:
Baskins, Cristelle Louise.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
xix, 313 p. :ill. (some color), digital ;24 cm.
內容註:
1. Introduction -- 2. Hafsids and Habsburgs -- 3. Sovereign Display -- 4. Italian Sojourn -- 5. Vanishing Acts -- 6. Pious Fictions -- 7. Conclusion.
Contained By:
Springer Nature eBook
標題:
Islam - Relations -
標題:
Tunisia - History - 1516-1881. -
電子資源:
https://doi.org/10.1007/978-3-031-05079-4
ISBN:
9783031050794
Hafsids and Habsburgs in the early modern Mediterranean = facing Tunis /
Baskins, Cristelle Louise.
Hafsids and Habsburgs in the early modern Mediterranean
facing Tunis /[electronic resource] :by Cristelle L. Baskins. - Cham :Springer International Publishing :2022. - xix, 313 p. :ill. (some color), digital ;24 cm. - New transculturalisms, 1400-1800. - New transculturalisms, 1400-1800..
1. Introduction -- 2. Hafsids and Habsburgs -- 3. Sovereign Display -- 4. Italian Sojourn -- 5. Vanishing Acts -- 6. Pious Fictions -- 7. Conclusion.
In this book, Baskins places Muley Hassan, the ruler of Tunis, center-stage in an analysis of the evolution and production of portraiture and the representation of Hafsid-Hapsburg-Ottoman confrontation. Portraits capture..the multi-faceted struggle for prestige, patronage, and sovereignty in Mediterranean courts. -Palmira Brummett, Professor Emerita, History, University of Tennessee, USA Baskins' interdisciplinary book opens new directions for the study of portraits and Habsburg visual propaganda about North African campaigns. She also breaks with traditional studies of the 'Muslim other' and presents a case study of fluid permeability and alterity in the Mediterranean. -Borja Franco Llopis, Associate Professor, Art History, National Distance Education University, Madrid, Spain This work is distinguished by its use of a variety of primary sources, and its multifaceted approach, combining history and art history. It is an important addition to the study of early modern Tunisia in particular, and to acculturation in the Mediterranean in general. -Houssem Eddine Chachia, Assistant Professor, History, University of Tunis, Tunisia This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528-1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean. Cristelle L. Baskins is Associate Professor Emeritus, Tufts University, USA.
ISBN: 9783031050794
Standard No.: 10.1007/978-3-031-05079-4doiSubjects--Personal Names:
3609049
Charles
V,Holy Roman Emperor,1500-1558.Subjects--Topical Terms:
2085337
Islam
--RelationsSubjects--Geographical Terms:
3609051
Tunisia
--History--1516-1881.
LC Class. No.: DT261 / .B37 2022
Dewey Class. No.: 961.103092
Hafsids and Habsburgs in the early modern Mediterranean = facing Tunis /
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In this book, Baskins places Muley Hassan, the ruler of Tunis, center-stage in an analysis of the evolution and production of portraiture and the representation of Hafsid-Hapsburg-Ottoman confrontation. Portraits capture..the multi-faceted struggle for prestige, patronage, and sovereignty in Mediterranean courts. -Palmira Brummett, Professor Emerita, History, University of Tennessee, USA Baskins' interdisciplinary book opens new directions for the study of portraits and Habsburg visual propaganda about North African campaigns. She also breaks with traditional studies of the 'Muslim other' and presents a case study of fluid permeability and alterity in the Mediterranean. -Borja Franco Llopis, Associate Professor, Art History, National Distance Education University, Madrid, Spain This work is distinguished by its use of a variety of primary sources, and its multifaceted approach, combining history and art history. It is an important addition to the study of early modern Tunisia in particular, and to acculturation in the Mediterranean in general. -Houssem Eddine Chachia, Assistant Professor, History, University of Tunis, Tunisia This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528-1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean. Cristelle L. Baskins is Associate Professor Emeritus, Tufts University, USA.
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