東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Trauma in American popular culture a...

Travers, Sean.

Linked to FindBook

Google Book

Amazon

博客來

Trauma in American popular culture and cult texts, 1980-2020

Record Type:	Electronic resources : Monograph/item
Title/Author:	Trauma in American popular culture and cult texts, 1980-2020/ by Sean Travers.
Author:	Travers, Sean.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	xiii, 257 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Trauma and Postmodernism: Mark Z. Danielewski's House of Leaves and Stanley Kubrick's The Shining -- 3. Competitive Narration: Tim Burton's Batman Returns and David Lynch and Mark Frost's Twin Peaks -- 4. Polynarration: in The Wachowskis' Sense8 (2015-2018), Rebecca Sugar's Steven Universe (2013-2019), and Nia DaCosta's Candyman (2021) -- 5. Sceptical scriptotherapy in Brit Marling and Zal Batmanglij's The OA and Sam Esmai's Mr Robot -- 6. Perpetrator Trauma in Video Games: Team Salvato's Doki Doki Literature Club and Toby Fox's Undertale -- 7. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Psychic trauma in popular culture. -
Online resource:	https://doi.org/10.1007/978-3-031-13287-2
ISBN:	9783031132872

Trauma in American popular culture and cult texts, 1980-2020
Travers, Sean.

Trauma in American popular culture and cult texts, 1980-2020[electronic resource] /by Sean Travers. - Cham :Springer International Publishing :2022. - xiii, 257 p. :ill., digital ;24 cm.

1. Introduction -- 2. Trauma and Postmodernism: Mark Z. Danielewski's House of Leaves and Stanley Kubrick's The Shining -- 3. Competitive Narration: Tim Burton's Batman Returns and David Lynch and Mark Frost's Twin Peaks -- 4. Polynarration: in The Wachowskis' Sense8 (2015-2018), Rebecca Sugar's Steven Universe (2013-2019), and Nia DaCosta's Candyman (2021) -- 5. Sceptical scriptotherapy in Brit Marling and Zal Batmanglij's The OA and Sam Esmai's Mr Robot -- 6. Perpetrator Trauma in Video Games: Team Salvato's Doki Doki Literature Club and Toby Fox's Undertale -- 7. Conclusion.

This book examines trauma in late twentieth- and twenty-first century American popular culture. Trauma has become a central paradigm for reading contemporary American culture. Since the early 1980s, an extensive range of genres increasingly feature traumatised protagonists and traumatic events. From traumatised superheroes in Hollywood blockbusters to apocalyptic-themed television series, trauma narratives abound. Although trauma is predominantly associated with high culture, this project shows how popular culture has become the most productive and innovative area of trauma representation in America. Examining film, television, animation, video games and cult texts, this book develops a series of original paradigms through which to understand trauma in popular culture. These include: popular trauma texts' engagement with postmodern perspectives, formal techniques termed 'competitive narration', 'polynarration' and 'sceptical scriptotherapy', and perpetrator trauma in metafictional games. 'Dr Sean Travers is an independent scholar based in Cork, Ireland. She obtained her PhD in University College Cork and has published several articles about trauma, popular culture, postmodernism, and American literature and culture.'

ISBN: 9783031132872

Standard No.: 10.1007/978-3-031-13287-2doiSubjects--Topical Terms:

3607697
Psychic trauma in popular culture.

LC Class. No.: BF175.5.P75

Dewey Class. No.: 306.461

Trauma in American popular culture and cult texts, 1980-2020
LDR:02820nmm a2200325 a 4500 001 2305004
003 DE-He213
005 20221013070455.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783031132872 $q (electronic bk.)
020 $a 9783031132865 $q (paper)
024 7 $a 10.1007/978-3-031-13287-2 $2 doi
035 $a 978-3-031-13287-2
040 $a GP $c GP
041 0 $a eng
050 4 $a BF175.5.P75
072 7 $a JFCA $2 bicssc
072 7 $a SOC022000 $2 bisacsh
072 7 $a JBCC1 $2 thema
082 0 4 $a 306.461 $2 23
090 $a BF175.5.P75 $b T781 2022
100 1 $a Travers, Sean. $3 3607696
245 1 0 $a Trauma in American popular culture and cult texts, 1980-2020 $h [electronic resource] / $c by Sean Travers.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xiii, 257 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Trauma and Postmodernism: Mark Z. Danielewski's House of Leaves and Stanley Kubrick's The Shining -- 3. Competitive Narration: Tim Burton's Batman Returns and David Lynch and Mark Frost's Twin Peaks -- 4. Polynarration: in The Wachowskis' Sense8 (2015-2018), Rebecca Sugar's Steven Universe (2013-2019), and Nia DaCosta's Candyman (2021) -- 5. Sceptical scriptotherapy in Brit Marling and Zal Batmanglij's The OA and Sam Esmai's Mr Robot -- 6. Perpetrator Trauma in Video Games: Team Salvato's Doki Doki Literature Club and Toby Fox's Undertale -- 7. Conclusion.
520 $a This book examines trauma in late twentieth- and twenty-first century American popular culture. Trauma has become a central paradigm for reading contemporary American culture. Since the early 1980s, an extensive range of genres increasingly feature traumatised protagonists and traumatic events. From traumatised superheroes in Hollywood blockbusters to apocalyptic-themed television series, trauma narratives abound. Although trauma is predominantly associated with high culture, this project shows how popular culture has become the most productive and innovative area of trauma representation in America. Examining film, television, animation, video games and cult texts, this book develops a series of original paradigms through which to understand trauma in popular culture. These include: popular trauma texts' engagement with postmodern perspectives, formal techniques termed 'competitive narration', 'polynarration' and 'sceptical scriptotherapy', and perpetrator trauma in metafictional games. 'Dr Sean Travers is an independent scholar based in Cork, Ireland. She obtained her PhD in University College Cork and has published several articles about trauma, popular culture, postmodernism, and American literature and culture.'
650 0 $a Psychic trauma in popular culture. $3 3607697
650 0 $a Psychic trauma in literature. $3 591913
650 0 $a Psychic trauma in motion pictures. $3 834048
650 0 $a American literature $y 20th century $x History and criticism. $3 543702
650 0 $a American literature $y 21st century $x History and criticism. $3 593645
650 0 $a Popular culture $z United States $x History $y 20th century. $3 558584
650 0 $a Popular culture $z United States $x History $y 21st century. $3 1087941
650 1 4 $a Popular Culture. $3 3201027
650 2 4 $a American Film and TV. $3 3538710
650 2 4 $a Contemporary Literature. $3 2191758
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-13287-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)