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A century of composition by women = ...
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Kouvaras, Linda.
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A century of composition by women = music against the odds /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A century of composition by women/ edited by Linda Kouvaras, Maria Grenfell, Natalie Williams.
其他題名:
music against the odds /
其他作者:
Kouvaras, Linda.
出版者:
Cham :Springer International Publishing : : 2022.,
面頁冊數:
xxxi, 437 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
標題:
Music by women composers. -
電子資源:
https://doi.org/10.1007/978-3-030-95557-1
ISBN:
9783030955571
A century of composition by women = music against the odds /
A century of composition by women
music against the odds /[electronic resource] :edited by Linda Kouvaras, Maria Grenfell, Natalie Williams. - Cham :Springer International Publishing :2022. - xxxi, 437 p. :ill., digital ;24 cm.
This book presents accounts of creative processes and contextual issues of current-day and early-twentieth-century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work - Then and Now illuminates historical and present-day women's composition and various iterations and conceptions of the "feminine voice"; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come. Dr Linda Kouvaras, musicologist, composer and pianist, is Professor of Music at the Melbourne Conservatorium of Music, University of Melbourne, with full artist APRA-AMCOS representation. Her research interests centre on gender issues in music and musical post/modernism (particularly Australian composition), and she is a piano examiner for the Australian Music Examinations Board. Dr Maria Grenfell is a composer and academic living in Hobart, Tasmania. An Associate Professor at the University of Tasmania, she is widely commissioned by orchestras and chamber ensembles in Australia, New Zealand, and internationally, and has served on the Board of Directors of the Tasmanian Symphony Orchestra. Dr Natalie Williams is a composer, academic and artistic manager. Her music has been commissioned and performed in Australia, the United States and Europe. A performing arts leader, she has worked as an academic dean and also held faculty positions in music theory and composition at the University of Georgia and the Australian National University.
ISBN: 9783030955571
Standard No.: 10.1007/978-3-030-95557-1doiSubjects--Topical Terms:
1308591
Music by women composers.
LC Class. No.: MT90 / .C46 2022
Dewey Class. No.: 780.82
A century of composition by women = music against the odds /
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This book presents accounts of creative processes and contextual issues of current-day and early-twentieth-century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work - Then and Now illuminates historical and present-day women's composition and various iterations and conceptions of the "feminine voice"; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come. Dr Linda Kouvaras, musicologist, composer and pianist, is Professor of Music at the Melbourne Conservatorium of Music, University of Melbourne, with full artist APRA-AMCOS representation. Her research interests centre on gender issues in music and musical post/modernism (particularly Australian composition), and she is a piano examiner for the Australian Music Examinations Board. Dr Maria Grenfell is a composer and academic living in Hobart, Tasmania. An Associate Professor at the University of Tasmania, she is widely commissioned by orchestras and chamber ensembles in Australia, New Zealand, and internationally, and has served on the Board of Directors of the Tasmanian Symphony Orchestra. Dr Natalie Williams is a composer, academic and artistic manager. Her music has been commissioned and performed in Australia, the United States and Europe. A performing arts leader, she has worked as an academic dean and also held faculty positions in music theory and composition at the University of Georgia and the Australian National University.
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