東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Beckett's imagined interpreters and ...

Wolterman, Nick.

Linked to FindBook

Google Book

Amazon

博客來

Beckett's imagined interpreters and the failures of modernism

Record Type:	Electronic resources : Monograph/item
Title/Author:	Beckett's imagined interpreters and the failures of modernism/ by Nick Wolterman.
Author:	Wolterman, Nick.
Published:	Cham :Springer International Publishing : : 2022.,
Description:	ix, 204 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Janus-Faced Arguments: Beckett's Interwar Essays and Other Self-Divided Defenses of Modernism -- 3. Impossible Anti-values: Beckett's Postwar Writing and the Self-defeating Pursuit of Absolute Loss -- 4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame -- 5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.
Contained By:	Springer Nature eBook
Subject:	Twentieth-Century Literature. -
Online resource:	https://doi.org/10.1007/978-3-031-05650-5
ISBN:	9783031056505

Beckett's imagined interpreters and the failures of modernism
Wolterman, Nick.

Beckett's imagined interpreters and the failures of modernism[electronic resource] /by Nick Wolterman. - Cham :Springer International Publishing :2022. - ix, 204 p. :ill., digital ;24 cm. - New interpretations of Beckett in the twenty-first century,2945-6800. - New interpretations of Beckett in the twenty-first century..

1. Introduction -- 2. Janus-Faced Arguments: Beckett's Interwar Essays and Other Self-Divided Defenses of Modernism -- 3. Impossible Anti-values: Beckett's Postwar Writing and the Self-defeating Pursuit of Absolute Loss -- 4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame -- 5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.

Samuel Beckett's work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett's own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett's Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett's ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett's techniques and ambitions, but also of modernism's experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett's uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Beckett's artistic ambitions-his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play-as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments. Nick Wolterman is an independent scholar based in York, UK. He received his PhD in English and Related Literature from the University of York.

ISBN: 9783031056505

Standard No.: 10.1007/978-3-031-05650-5doiSubjects--Personal Names:

912398
Beckett, Samuel,
1906-1989--Criticism and interpretation.Subjects--Topical Terms:

2182347
Twentieth-Century Literature.

LC Class. No.: PR6003.E282

Dewey Class. No.: 842.914

Beckett's imagined interpreters and the failures of modernism
LDR:03395nmm a2200337 a 4500 001 2302697
003 DE-He213
005 20220720073631.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783031056505 $q (electronic bk.)
020 $a 9783031056499 $q (paper)
024 7 $a 10.1007/978-3-031-05650-5 $2 doi
035 $a 978-3-031-05650-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PR6003.E282
072 7 $a DSBH $2 bicssc
072 7 $a LIT024050 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 842.914 $2 23
090 $a PR6003.E282 $b W868 2022
100 1 $a Wolterman, Nick. $3 3603287
245 1 0 $a Beckett's imagined interpreters and the failures of modernism $h [electronic resource] / $c by Nick Wolterman.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a ix, 204 p. : $b ill., digital ; $c 24 cm.
490 1 $a New interpretations of Beckett in the twenty-first century, $x 2945-6800
505 0 $a 1. Introduction -- 2. Janus-Faced Arguments: Beckett's Interwar Essays and Other Self-Divided Defenses of Modernism -- 3. Impossible Anti-values: Beckett's Postwar Writing and the Self-defeating Pursuit of Absolute Loss -- 4. Slippery Self-commentaries: Avant-garde Celebrity from Dream to Endgame -- 5. Staged Compromises: Anticipating Appropriation from Eleutheria to Havel to Catastrophe. 6. Re-targeting Modernist Failure.
520 $a Samuel Beckett's work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett's own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett's Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett's ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett's techniques and ambitions, but also of modernism's experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett's uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Beckett's artistic ambitions-his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play-as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments. Nick Wolterman is an independent scholar based in York, UK. He received his PhD in English and Related Literature from the University of York.
600 1 0 $a Beckett, Samuel, $d 1906-1989 $x Criticism and interpretation. $3 912398
650 1 4 $a Twentieth-Century Literature. $3 2182347
650 2 4 $a Fiction Literature. $3 3538732
650 2 4 $a Literature. $3 537498
650 2 4 $a Drama. $3 522981
650 2 4 $a Contemporary Theatre and Performance. $3 3599286
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a New interpretations of Beckett in the twenty-first century. $3 1098747
856 4 0 $u https://doi.org/10.1007/978-3-031-05650-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)