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The change of narrative modes in Chi...

Chen, Pingyuan.

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The change of narrative modes in Chinese fiction (1898-1927)

Record Type:	Electronic resources : Monograph/item
Title/Author:	The change of narrative modes in Chinese fiction (1898-1927)/ by Pingyuan Chen.
Author:	Chen, Pingyuan.
Published:	Singapore :Springer Singapore : : 2022.,
Description:	xii, 362 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter One: Introduction -- Part I Enlightenment from Western Fiction and the Transformation of Narrative Mode in Chinese Fiction -- Chapter Two: Transformation of Narrative Time in Chinese Fiction -- Chapter Three: Transformation of Point of View in Chinese Fiction -- Chapter Four: Transformation of Narrative Structure in Chinese Fiction -- Part II Influence of Traditional Literature on the Transformation of Narrative Mode in Chinese Fiction -- Chapter Five: Creative Transformation of Traditional Literature -- Chapter Six: Penetration of Traditional Style into Fiction -- Chapter Seven: Influence of Historical Biography and Poetry -- Chapter Eight: Conclusion.
Contained By:	Springer Nature eBook
Subject:	Chinese fiction - History and criticism. - 20th century -
Online resource:	https://doi.org/10.1007/978-981-16-6202-7
ISBN:	9789811662027

The change of narrative modes in Chinese fiction (1898-1927)
Chen, Pingyuan.

The change of narrative modes in Chinese fiction (1898-1927)[electronic resource] /by Pingyuan Chen. - Singapore :Springer Singapore :2022. - xii, 362 p. :ill., digital ;24 cm.

Chapter One: Introduction -- Part I Enlightenment from Western Fiction and the Transformation of Narrative Mode in Chinese Fiction -- Chapter Two: Transformation of Narrative Time in Chinese Fiction -- Chapter Three: Transformation of Point of View in Chinese Fiction -- Chapter Four: Transformation of Narrative Structure in Chinese Fiction -- Part II Influence of Traditional Literature on the Transformation of Narrative Mode in Chinese Fiction -- Chapter Five: Creative Transformation of Traditional Literature -- Chapter Six: Penetration of Traditional Style into Fiction -- Chapter Seven: Influence of Historical Biography and Poetry -- Chapter Eight: Conclusion.

This book examines the Chinese fictions (xiaoshuo) published between 1898 and 1927 - three pivotal decades, during which China underwent significant social changes. It applies Narratology and Sociology of the Novel methods to analyze both the texts themselves and the social-cultural factors that triggered the transformation of the narrative mode in Chinese fiction. Based on empirical data, the author argues that this transformation was not only inspired by translated Western fiction, but was also the result of a creative transformation in tradition Chinese literature.

ISBN: 9789811662027

Standard No.: 10.1007/978-981-16-6202-7doiSubjects--Topical Terms:

585594
Chinese fiction
--History and criticism.--20th century

LC Class. No.: PL2441 / .C54 2022

Dewey Class. No.: 895.13509

The change of narrative modes in Chinese fiction (1898-1927)
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505 0 $a Chapter One: Introduction -- Part I Enlightenment from Western Fiction and the Transformation of Narrative Mode in Chinese Fiction -- Chapter Two: Transformation of Narrative Time in Chinese Fiction -- Chapter Three: Transformation of Point of View in Chinese Fiction -- Chapter Four: Transformation of Narrative Structure in Chinese Fiction -- Part II Influence of Traditional Literature on the Transformation of Narrative Mode in Chinese Fiction -- Chapter Five: Creative Transformation of Traditional Literature -- Chapter Six: Penetration of Traditional Style into Fiction -- Chapter Seven: Influence of Historical Biography and Poetry -- Chapter Eight: Conclusion.
520 $a This book examines the Chinese fictions (xiaoshuo) published between 1898 and 1927 - three pivotal decades, during which China underwent significant social changes. It applies Narratology and Sociology of the Novel methods to analyze both the texts themselves and the social-cultural factors that triggered the transformation of the narrative mode in Chinese fiction. Based on empirical data, the author argues that this transformation was not only inspired by translated Western fiction, but was also the result of a creative transformation in tradition Chinese literature.
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