東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Bakhtin's Romantic Grotesque in Kons...

Shamarova, Assem.

FindBook

Google Book

Amazon

博客來

Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss./
作者:	Shamarova, Assem.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	66 p.
附註:	Source: Masters Abstracts International, Volume: 82-12.
Contained By:	Masters Abstracts International82-12.
標題:	Slavic literature. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28542479
ISBN:	9798515271992

Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss.
Shamarova, Assem.

Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 66 p.

Source: Masters Abstracts International, Volume: 82-12.

Thesis (M.A.)--The University of Arizona, 2021.

This item must not be sold to any third party vendors.

This current work focuses on death and "mask" motifs in Konstantin Vaginov's novels Kozlinaia pesnʹ (The Goat Song; 1926), Trudy i dni Svistonova (The Works and Days of Svistonov; 1929), and Bambochada (Bambocciada; 1929-30) by engaging with Mikhail Bakhtin's discussion of the romantic grotesque that reflects people's subjective perceptions of the world and themselves and the estrangement and hostility of a previously familiar world. The current research argues that Vaginov uses these motifs against the backdrop of romantic grotesque to illustrate his characters' (Teptyolkin, Misha Kotikov, Kostia Rotikov, Ermilov, Evgenii, Toropulo, and Neizvestnyi poet) disengagement from the new, Soviet society. Being examined through Bakhtin's theory of carnivalization, the romantic grotesque in the novels serves as the means for Vaginov to portray how the world, which is hostile and alien to the characters, now seems artificial, a parody of the real one to them. In addition to their alienation from the new society, Vaginov illustrates his characters' inability to revive the old, pre-revolutionary culture as the surrounding byt (way of life) and lack of inspiration overpower them. Firstly, the present inquiry maintains that Vaginov characters' fixation on death or fear of it represents their perception of the world as an imitation, their inability to bring the old culture back as well as their self-perception as half-humans and the living dead. Secondly, this work examines the characters' wearing "masks" as the means to disguise their real, banal personalities. Lastly, this work details scholarship on Vaginov's works in the context of the 1920s literature and on his polemic with Silver Age poets. This research examines the novels' juxtaposition of the new world with the old one and expounds upon the characters' striving to attain higher ideals, which clashes with everyday byt. The current work maintains that Vaginov was able to capture his own and his contemporaries' feeling of culture's loss, their alienation from the new society as well as their romantic grotesque self-perceptions and of the world around them.

ISBN: 9798515271992Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

Vaginov, Konstantin

Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss.
LDR:03380nmm a2200397 4500 001 2285855
005 20220613065721.5
008 220803s2021 ||||||||||||||||| ||eng d
020 $a 9798515271992
035 $a (MiAaPQ)AAI28542479
035 $a AAI28542479
040 $a MiAaPQ $c MiAaPQ
100 1 $a Shamarova, Assem. $3 3566250
245 1 0 $a Bakhtin's Romantic Grotesque in Konstantin Vaginov's Novels: Alienation from the Soviet Society and the Pre-revolutionary Culture's Loss.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2021
300 $a 66 p.
500 $a Source: Masters Abstracts International, Volume: 82-12.
500 $a Advisor: Gordiienko, Anastasiia.
502 $a Thesis (M.A.)--The University of Arizona, 2021.
506 $a This item must not be sold to any third party vendors.
520 $a This current work focuses on death and "mask" motifs in Konstantin Vaginov's novels Kozlinaia pesnʹ (The Goat Song; 1926), Trudy i dni Svistonova (The Works and Days of Svistonov; 1929), and Bambochada (Bambocciada; 1929-30) by engaging with Mikhail Bakhtin's discussion of the romantic grotesque that reflects people's subjective perceptions of the world and themselves and the estrangement and hostility of a previously familiar world. The current research argues that Vaginov uses these motifs against the backdrop of romantic grotesque to illustrate his characters' (Teptyolkin, Misha Kotikov, Kostia Rotikov, Ermilov, Evgenii, Toropulo, and Neizvestnyi poet) disengagement from the new, Soviet society. Being examined through Bakhtin's theory of carnivalization, the romantic grotesque in the novels serves as the means for Vaginov to portray how the world, which is hostile and alien to the characters, now seems artificial, a parody of the real one to them. In addition to their alienation from the new society, Vaginov illustrates his characters' inability to revive the old, pre-revolutionary culture as the surrounding byt (way of life) and lack of inspiration overpower them. Firstly, the present inquiry maintains that Vaginov characters' fixation on death or fear of it represents their perception of the world as an imitation, their inability to bring the old culture back as well as their self-perception as half-humans and the living dead. Secondly, this work examines the characters' wearing "masks" as the means to disguise their real, banal personalities. Lastly, this work details scholarship on Vaginov's works in the context of the 1920s literature and on his polemic with Silver Age poets. This research examines the novels' juxtaposition of the new world with the old one and expounds upon the characters' striving to attain higher ideals, which clashes with everyday byt. The current work maintains that Vaginov was able to capture his own and his contemporaries' feeling of culture's loss, their alienation from the new society as well as their romantic grotesque self-perceptions and of the world around them.
590 $a School code: 0009.
650 4 $a Slavic literature. $3 2144740
650 4 $a Russian history. $3 3173845
650 4 $a Social structure. $3 528995
653 $a Vaginov, Konstantin
653 $a Mask motifs
653 $a Death
653 $a Artificiality
653 $a Literary theory
653 $a Carnivalization
653 $a Enui
690 $a 0314
690 $a 0724
690 $a 0700
710 2 $a The University of Arizona. $b Russian. $3 2100740
773 0 $t Masters Abstracts International $g 82-12.
790 $a 0009
791 $a M.A.
792 $a 2021
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28542479