東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Model Kitchen: Domesticating Mod...

Barton, Juliana Rowen.

FindBook

Google Book

Amazon

博客來

The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966./
作者:	Barton, Juliana Rowen.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	396 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-04, Section: A.
Contained By:	Dissertations Abstracts International82-04A.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28029414
ISBN:	9798672165899

The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966.
Barton, Juliana Rowen.

The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 396 p.

Source: Dissertations Abstracts International, Volume: 82-04, Section: A.

Thesis (Ph.D.)--University of Pennsylvania, 2020.

This item must not be sold to any third party vendors.

The kitchen, located at the heart of the American home, became a compelling site of domestic debate in the mid-twentieth century. This dissertation explores moments in the history of the American kitchen from the early-1940s to the mid-1960s, when modernism gained prominence and popularity in mainstream architecture and design in the United States. It was in the kitchen that architectural debates about modernism, the shaping of space, and the determining role of technology and standardization intersected with dynamics of cultural change. Presented at World's Fairs, trade shows, museum exhibitions, and other sites of display, model kitchens were cultural texts that revealed how race and ethnicity were negotiated, which often entailed the coding of constructions of gender and motherhood with-or against-constructions of race. However, questions of race have figured minimally in architectural studies of the modern kitchen, and this dissertation aims to reposition these social debates in the scholarship. As this study shows, these spaces represented ideals that stood in stark contrast to contemporary reality.Each chapter analyses model kitchens that were produced in institutional and cultural contexts, positioning them alongside representations in film, television, magazines, and exhibitions in order to paint a clear but complex picture of the modern American kitchen. The varied contexts in which the modern kitchen was created are considered in turn: the home economics department of a research University; the techno-utopic visions of the future at trade shows; and finally, the iconic demonstration houses of the Case Study program. Whereas scholars have previously studied the spatial contours of the kitchen within the modern home as a barometer of aesthetic and technological change, this dissertation puts pressure on the intersections of kitchens and their representations, addressing the ways that ideas about gender and racial identities were communicated and circulated through these designs. To do so, it unpacks how words, images, objects, and spaces operated-and perhaps continue to operate-to construct a gendered and racialized depiction of the past, present, and even future. Together, the chapters trace how the design of model kitchens cultivated conformity and gave material reinforcement to ideological constructions of American identity.

ISBN: 9798672165899Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Model kitchen

The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966.
LDR:03465nmm a2200337 4500 001 2281087
005 20210913093707.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798672165899
035 $a (MiAaPQ)AAI28029414
035 $a AAI28029414
040 $a MiAaPQ $c MiAaPQ
100 1 $a Barton, Juliana Rowen. $3 3559672
245 1 4 $a The Model Kitchen: Domesticating Modernism in the American Home, 1942-1966.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 396 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-04, Section: A.
500 $a Advisor: Shaw, Gwendolyn DuBois.
502 $a Thesis (Ph.D.)--University of Pennsylvania, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The kitchen, located at the heart of the American home, became a compelling site of domestic debate in the mid-twentieth century. This dissertation explores moments in the history of the American kitchen from the early-1940s to the mid-1960s, when modernism gained prominence and popularity in mainstream architecture and design in the United States. It was in the kitchen that architectural debates about modernism, the shaping of space, and the determining role of technology and standardization intersected with dynamics of cultural change. Presented at World's Fairs, trade shows, museum exhibitions, and other sites of display, model kitchens were cultural texts that revealed how race and ethnicity were negotiated, which often entailed the coding of constructions of gender and motherhood with-or against-constructions of race. However, questions of race have figured minimally in architectural studies of the modern kitchen, and this dissertation aims to reposition these social debates in the scholarship. As this study shows, these spaces represented ideals that stood in stark contrast to contemporary reality.Each chapter analyses model kitchens that were produced in institutional and cultural contexts, positioning them alongside representations in film, television, magazines, and exhibitions in order to paint a clear but complex picture of the modern American kitchen. The varied contexts in which the modern kitchen was created are considered in turn: the home economics department of a research University; the techno-utopic visions of the future at trade shows; and finally, the iconic demonstration houses of the Case Study program. Whereas scholars have previously studied the spatial contours of the kitchen within the modern home as a barometer of aesthetic and technological change, this dissertation puts pressure on the intersections of kitchens and their representations, addressing the ways that ideas about gender and racial identities were communicated and circulated through these designs. To do so, it unpacks how words, images, objects, and spaces operated-and perhaps continue to operate-to construct a gendered and racialized depiction of the past, present, and even future. Together, the chapters trace how the design of model kitchens cultivated conformity and gave material reinforcement to ideological constructions of American identity.
590 $a School code: 0175.
650 4 $a Art history. $3 2122701
650 4 $a American history. $3 2122692
653 $a Model kitchen
653 $a Domesticating modernism
653 $a American home
690 $a 0377
690 $a 0337
710 2 $a University of Pennsylvania. $b History of Art. $3 3548975
773 0 $t Dissertations Abstracts International $g 82-04A.
790 $a 0175
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28029414