東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Complex Centers and Powerful Periphe...

Rook, Emilie Rose.

Linked to FindBook

Google Book

Amazon

博客來

Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia./
Author:	Rook, Emilie Rose.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	394 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
Contained By:	Dissertations Abstracts International82-06A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27744433
ISBN:	9798678118523

Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia.
Rook, Emilie Rose.

Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 394 p.

Source: Dissertations Abstracts International, Volume: 82-06, Section: A.

Thesis (Ph.D.)--University of Pittsburgh, 2020.

This item must not be sold to any third party vendors.

This dissertation interrogates issues of piety, power, and politics through music in the Roman Catholic Church in multi-lingual, multi-ethnic Indonesia. This study implicates the power of institutions (the State and the Church), people (musicians, liturgical leaders, and congregants alike), and materials (hymnbooks, liturgical pamphlets, and other related media). My aim is to ethnographically re-center music produced by and for Catholic communities as a corrective to complicated and often troubling histories of center-periphery dynamics in religious, economic, musical, and political studies in Indonesia. Musical materials-such as the Madah Bakti hymnal, produced by the Pusat Musik Liturgi (PML) Center for Liturgical Music in Yogyakarta, Indonesia-have become key sites for communicating different visions of Indonesian Catholic identity and religious experience. Moving beyond a project that simply recounts historical and ethnographic narratives of Catholics in Indonesia, I ask: In what ways does the production, circulation, and consumption of music for Catholic communities shape the religious identities and experiences of Catholics in Indonesia? How do Catholics in Indonesia use music to express their minority identity and desire for representation and justice, in a nation where religious pluralism is included in official state discourse but increasingly occluded in daily social practice? And finally, who gets to musically control the discourse, practice, and meaning of Catholicism in Indonesia, and how is that power at times subverted? Focusing on the experience of Catholic communities on the islands of Java, Flores, and North Sumatra, this project will simultaneously work to ethnographically re-center traditional center-periphery power models, acknowledging that communities in peripheral islands have agentive power which makes them centers in certain ideological schema. Ultimately, this work ultimately transcends the particularities of music made by and for Catholics in Indonesia, showing how musical materials and the practices which surround them can be used to assert minority religious identity while at the same time speaking to the complex national and Universal histories which inform such power-filled artistic practices.

ISBN: 9798678118523Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Catholicism

Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia.
LDR:03416nmm a2200373 4500 001 2280701
005 20210913091937.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798678118523
035 $a (MiAaPQ)AAI27744433
035 $a AAI27744433
040 $a MiAaPQ $c MiAaPQ
100 1 $a Rook, Emilie Rose. $3 3559244
245 1 0 $a Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 394 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-06, Section: A.
500 $a Advisor: Weintraub, Andrew.
502 $a Thesis (Ph.D.)--University of Pittsburgh, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation interrogates issues of piety, power, and politics through music in the Roman Catholic Church in multi-lingual, multi-ethnic Indonesia. This study implicates the power of institutions (the State and the Church), people (musicians, liturgical leaders, and congregants alike), and materials (hymnbooks, liturgical pamphlets, and other related media). My aim is to ethnographically re-center music produced by and for Catholic communities as a corrective to complicated and often troubling histories of center-periphery dynamics in religious, economic, musical, and political studies in Indonesia. Musical materials-such as the Madah Bakti hymnal, produced by the Pusat Musik Liturgi (PML) Center for Liturgical Music in Yogyakarta, Indonesia-have become key sites for communicating different visions of Indonesian Catholic identity and religious experience. Moving beyond a project that simply recounts historical and ethnographic narratives of Catholics in Indonesia, I ask: In what ways does the production, circulation, and consumption of music for Catholic communities shape the religious identities and experiences of Catholics in Indonesia? How do Catholics in Indonesia use music to express their minority identity and desire for representation and justice, in a nation where religious pluralism is included in official state discourse but increasingly occluded in daily social practice? And finally, who gets to musically control the discourse, practice, and meaning of Catholicism in Indonesia, and how is that power at times subverted? Focusing on the experience of Catholic communities on the islands of Java, Flores, and North Sumatra, this project will simultaneously work to ethnographically re-center traditional center-periphery power models, acknowledging that communities in peripheral islands have agentive power which makes them centers in certain ideological schema. Ultimately, this work ultimately transcends the particularities of music made by and for Catholics in Indonesia, showing how musical materials and the practices which surround them can be used to assert minority religious identity while at the same time speaking to the complex national and Universal histories which inform such power-filled artistic practices.
590 $a School code: 0178.
650 4 $a Music. $3 516178
650 4 $a Religion. $3 516493
650 4 $a Political science. $3 528916
650 4 $a Southeast Asian studies. $3 3344898
653 $a Catholicism
653 $a Indonesia
653 $a Power
653 $a Southeast Asia
690 $a 0413
690 $a 0222
690 $a 0615
690 $a 0318
710 2 $a University of Pittsburgh. $b Dietrich School Arts and Sciences. $3 3437270
773 0 $t Dissertations Abstracts International $g 82-06A.
790 $a 0178
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27744433