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Media Art Practices Toward a Post-An...

Nam, Su Hyun.

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Media Art Practices Toward a Post-Anthropocentric Relationship with Technology.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Media Art Practices Toward a Post-Anthropocentric Relationship with Technology./
作者:	Nam, Su Hyun.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
面頁冊數:	88 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-09, Section: B.
Contained By:	Dissertations Abstracts International82-09B.
標題:	Fine arts. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28315099
ISBN:	9798582508175

Media Art Practices Toward a Post-Anthropocentric Relationship with Technology.
Nam, Su Hyun.

Media Art Practices Toward a Post-Anthropocentric Relationship with Technology. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 88 p.

Source: Dissertations Abstracts International, Volume: 82-09, Section: B.

Thesis (Ph.D.)--State University of New York at Buffalo, 2021.

This item must not be sold to any third party vendors.

This dissertation examines diverse issues that have emerged from anthropocentrism and puts forth an alternative perspective to understand the human and nonhuman relationship in pursuit of their sustainable coevolution. The focal point of this work is on technology among many nonhumans not only for the unprecedented impacts it has brought to human life, but also for its dynamic nature to grow, evolve, and mutate in a relationship with humans. In this exploration, my art practices with technology and digital artworks play a vital role in dismantling traditional human-centric views and epistemological structures. This dissertation begins with an investigation of the interconnectivity, interdependency, and inseparability between humans and nonhumans as well as nature and culture in a technological society. In this network of humans and nonhumans, technology has become as complex and unpredictable as living organisms and ecosystems. This argument that disputes human/nonhuman and nature/culture oppositions leads to a question: How should we understand boundaries deeply rooted in our culture and society? I suggest membranes as a new model of boundaries in a highly networked society. Digitization has made boundaries semi-permeable, fluid, and active like membranes; therefore, they are not a concrete wall to segregate heterogeneous beings, but rather a cell membrane that lets relationships breathe. As technology processes a vast amount of data much faster than human consciousness, it has become evident that a significant proportion of cognitive activities occurs through nonconscious cognition and nonlinguistic forces. I acknowledge what is beyond/beneath/other than consciousness and linguistic representations by discussing my experience and embodied knowledge as an outsider - a media artist and an Asian immigrant. The practice-based approach demonstrates how artmaking practices can be an alternative and effective research method to embody the nonlinguistic and nonrepresentational vibrancy between humans and nonhumans.

ISBN: 9798582508175Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Cognition

Media Art Practices Toward a Post-Anthropocentric Relationship with Technology.
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