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Ecological Models of Musical Structu...
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Shea, Nicholas J.
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Ecological Models of Musical Structure in Pop-Rock, 1950-2019.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Ecological Models of Musical Structure in Pop-Rock, 1950-2019./
Author:
Shea, Nicholas J.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:
241 p.
Notes:
Source: Dissertations Abstracts International, Volume: 82-08, Section: B.
Contained By:
Dissertations Abstracts International82-08B.
Subject:
Music. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28225790
ISBN:
9798684614026
Ecological Models of Musical Structure in Pop-Rock, 1950-2019.
Shea, Nicholas J.
Ecological Models of Musical Structure in Pop-Rock, 1950-2019.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 241 p.
Source: Dissertations Abstracts International, Volume: 82-08, Section: B.
Thesis (Ph.D.)--The Ohio State University, 2020.
This item must not be sold to any third party vendors.
This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular-music guitarists. Each offers gestural analyses that provide an alternative to the object-oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between "pop" and "rock" music.
ISBN: 9798684614026Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Music cognition
Ecological Models of Musical Structure in Pop-Rock, 1950-2019.
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Source: Dissertations Abstracts International, Volume: 82-08, Section: B.
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Advisor: Biamonte, Nicole;Shanahan, Daniel.
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This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular-music guitarists. Each offers gestural analyses that provide an alternative to the object-oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between "pop" and "rock" music.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28225790
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