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Differentiation of Concurrent Musica...
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Bergeron-Dumaine, Holly.
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Differentiation of Concurrent Musical Strata.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Differentiation of Concurrent Musical Strata./
作者:
Bergeron-Dumaine, Holly.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
102 p.
附註:
Source: Masters Abstracts International, Volume: 82-09.
Contained By:
Masters Abstracts International82-09.
標題:
Musicians & conductors. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28248477
ISBN:
9798582590347
Differentiation of Concurrent Musical Strata.
Bergeron-Dumaine, Holly.
Differentiation of Concurrent Musical Strata.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 102 p.
Source: Masters Abstracts International, Volume: 82-09.
Thesis (M.A.)--McGill University (Canada), 2018.
This item must not be sold to any third party vendors.
Music-theoretical research into textures featuring superimposition of independent layers of music suffers from considerable terminological fragmentation and imprecision, with notions such as "polytonality" remaining ill-defined and subject to semantic controversy. I first review existing research into the topic, highlighting these weaknesses. In order to address them, I then propose a differentiation model, an analytical tool that employs concise, precise and more up-to-date theoretical terminology to describe and quantify the way in which musical strata may be differentiated through divergences in construction. Finally, I apply the differentiation model to excerpts by Ireland, Britten and Vaughan Williams in order to demonstrate its relevance to music analysis. Ultimately, I argue that the differentiation model provides a more effective, consistent theoretical framework for analyzing layered musical construction.
ISBN: 9798582590347Subjects--Topical Terms:
3556280
Musicians & conductors.
Subjects--Index Terms:
Differentiation
Differentiation of Concurrent Musical Strata.
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Music-theoretical research into textures featuring superimposition of independent layers of music suffers from considerable terminological fragmentation and imprecision, with notions such as "polytonality" remaining ill-defined and subject to semantic controversy. I first review existing research into the topic, highlighting these weaknesses. In order to address them, I then propose a differentiation model, an analytical tool that employs concise, precise and more up-to-date theoretical terminology to describe and quantify the way in which musical strata may be differentiated through divergences in construction. Finally, I apply the differentiation model to excerpts by Ireland, Britten and Vaughan Williams in order to demonstrate its relevance to music analysis. Ultimately, I argue that the differentiation model provides a more effective, consistent theoretical framework for analyzing layered musical construction.
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Dans son etat actuel, l'etude de textures musicales formees a partir d'elements independants superposes fait defaut de par son manque de precision terminologique. La notion de polytonalite reste elle-meme sans consensus definitif, faisant l'objet de nombreuses controverses. Abordant ce probleme langagier, j'effectue d'abord un survol du travail theorique actuel afin d'en deceler ses faiblesses. Je propose ensuite un modele de differenciation de strates qui decrit la maniere dont plusieurs couches texturales independantes peuvent se distinguer structurellement l'une de l'autre. Ce modele fait usage de langage concis, precis et mis a jour. Dans un dernier chapitre, afin d'avancer son utilite en tant qu'outil analytique, j'en demontre l'usage dans le contexte de passages d'Ireland, Britten et Vaughan Williams. Enfin, la notion de differenciation de strates offre un regard theorique sur la polytonalite et ses derives plus efficace et plus coherent.
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