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All of Us with All of That: Militari...

Coller, Bryan Takeshi.

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All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.

Record Type:	Electronic resources : Monograph/item
Title/Author:	All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry./
Author:	Coller, Bryan Takeshi.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	181 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:	Dissertations Abstracts International82-03A.
Subject:	American literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27828921
ISBN:	9798672161587

All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
Coller, Bryan Takeshi.

All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 181 p.

Source: Dissertations Abstracts International, Volume: 82-03, Section: A.

Thesis (Ph.D.)--University of California, Davis, 2020.

This item must not be sold to any third party vendors.

Focused on the problem of the United States' unending wars in Afghanistan, Iraq, and elsewhere, these chapters argue that global military violence deranges and disorients affects attached to citizenship, nationality, collective identity, and communality. For these authors, war effects American everyday life indirectly. Issues of stealth camouflage, state surveillance, mass troop deployments, tortured detainees, misinformation campaigns, and militarized policing conspire to produce a sense of paranoia which dissipates normative social relations. Under these conditions, these poets demonstrate how the paralipsis of military violence in day to day life centers the false appearance of an American public untroubled by the racism, sexism, and immiseration of the capitalistic world system. Works by Juliana Spahr, Rob Halpern, Myung Mi Kim, and Renee Gladman are not positioned as an antiwar poetry as such; rather they manifoldly depict the affective consequences of unending war on the citizen in terms of isolation, futility, complicity, and hopelessness through textual strategies of indeterminacy influenced by militarization. Rather than a call for change, this body of poetry expresses a set of negative affects disowned and unrecognized by normative society: this is a field of affect without future and without hope, where human togetherness in the current moment feels impossible due to the conspiracy of drone strikes, extraordinary renditions, and racist policing. By reading these works through affect theory, world systems theory, queer theory, black study, and everyday life studies, these chapters search out signs of formal and generic decay and obsolescence; where the poetic lyric, for instance, breaks down, these readings argue that the aesthetics of the current moment are ill-suited to the task of addressing global military violence in a mode that exceeds self-interest.

ISBN: 9798672161587Subjects--Topical Terms:

523234
American literature.
Subjects--Index Terms:

Affect

All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
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500 $a Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
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506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Focused on the problem of the United States' unending wars in Afghanistan, Iraq, and elsewhere, these chapters argue that global military violence deranges and disorients affects attached to citizenship, nationality, collective identity, and communality. For these authors, war effects American everyday life indirectly. Issues of stealth camouflage, state surveillance, mass troop deployments, tortured detainees, misinformation campaigns, and militarized policing conspire to produce a sense of paranoia which dissipates normative social relations. Under these conditions, these poets demonstrate how the paralipsis of military violence in day to day life centers the false appearance of an American public untroubled by the racism, sexism, and immiseration of the capitalistic world system. Works by Juliana Spahr, Rob Halpern, Myung Mi Kim, and Renee Gladman are not positioned as an antiwar poetry as such; rather they manifoldly depict the affective consequences of unending war on the citizen in terms of isolation, futility, complicity, and hopelessness through textual strategies of indeterminacy influenced by militarization. Rather than a call for change, this body of poetry expresses a set of negative affects disowned and unrecognized by normative society: this is a field of affect without future and without hope, where human togetherness in the current moment feels impossible due to the conspiracy of drone strikes, extraordinary renditions, and racist policing. By reading these works through affect theory, world systems theory, queer theory, black study, and everyday life studies, these chapters search out signs of formal and generic decay and obsolescence; where the poetic lyric, for instance, breaks down, these readings argue that the aesthetics of the current moment are ill-suited to the task of addressing global military violence in a mode that exceeds self-interest.
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