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Heritage Is a Struggle: Music, Neoli...
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Chocano, Rodrigo.
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Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru./
作者:
Chocano, Rodrigo.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
586 p.
附註:
Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:
Dissertations Abstracts International82-03A.
標題:
Cultural anthropology. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28089348
ISBN:
9798664743845
Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru.
Chocano, Rodrigo.
Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 586 p.
Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Thesis (Ph.D.)--Indiana University, 2020.
This item must not be sold to any third party vendors.
This dissertation examines the ways neoliberal logics permeate local ideas about musical safeguarding as part of application processes in Peru to nominate expressive practices to the United Nations Educational, Scientific and Cultural Organization (UNESCO) Representative List of the Intangible Cultural Heritage of Humanity. In these collaborative endeavors, the multiple ideas that stakeholders have about musical significance and safeguarding must interact with the standardized concepts and requirements of the Intangible Cultural Heritage (ICH) global framework, which is based on neoliberal logics. Participants in the processes develop strategies for navigating the complex bureaucratic layout of ICH nominations, while they negotiate and compete with each other to achieve forms of musical safeguarding that align with their particular knowledge, needs, and agendas. I argue that this ICH safeguarding mechanism furthers the penetration of neoliberal logics into local understandings of community-based musical practices, as practitioners, state actors, and other stakeholders adhere them to a cultural-value system based on exchange value and cultural expediency and identify opportunities to advance their musical and non-musical agendas. This research is based on an ethnographic study of four application processes of Peruvian musical practices to the UNESCO Representative List, focusing on the actions and decisions of the participants in these applications and ICH safeguarding actions. I explore the inner dynamics of these collaborative endeavors in order to reveal: 1) the way in which neoliberal ideas about ICH safeguarding interacted with local ideas about musical significance; 2) the local and national agendas attached to musical practices and their safeguarding; 3) the strategies taken by the participants to advance their particular agendas while complying with the institutional requirements of this UNESCO mechanism; and 4) the possibilities that this state of affairs might entail for grassroots practitioners.
ISBN: 9798664743845Subjects--Topical Terms:
2122764
Cultural anthropology.
Subjects--Index Terms:
Cultural policy
Heritage Is a Struggle: Music, Neoliberal Logics, and the Practice of Intangible Cultural Heritage in Peru.
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This dissertation examines the ways neoliberal logics permeate local ideas about musical safeguarding as part of application processes in Peru to nominate expressive practices to the United Nations Educational, Scientific and Cultural Organization (UNESCO) Representative List of the Intangible Cultural Heritage of Humanity. In these collaborative endeavors, the multiple ideas that stakeholders have about musical significance and safeguarding must interact with the standardized concepts and requirements of the Intangible Cultural Heritage (ICH) global framework, which is based on neoliberal logics. Participants in the processes develop strategies for navigating the complex bureaucratic layout of ICH nominations, while they negotiate and compete with each other to achieve forms of musical safeguarding that align with their particular knowledge, needs, and agendas. I argue that this ICH safeguarding mechanism furthers the penetration of neoliberal logics into local understandings of community-based musical practices, as practitioners, state actors, and other stakeholders adhere them to a cultural-value system based on exchange value and cultural expediency and identify opportunities to advance their musical and non-musical agendas. This research is based on an ethnographic study of four application processes of Peruvian musical practices to the UNESCO Representative List, focusing on the actions and decisions of the participants in these applications and ICH safeguarding actions. I explore the inner dynamics of these collaborative endeavors in order to reveal: 1) the way in which neoliberal ideas about ICH safeguarding interacted with local ideas about musical significance; 2) the local and national agendas attached to musical practices and their safeguarding; 3) the strategies taken by the participants to advance their particular agendas while complying with the institutional requirements of this UNESCO mechanism; and 4) the possibilities that this state of affairs might entail for grassroots practitioners.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28089348
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