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Magiciens de la Terre and Multiple H...

Duerler, Caitlin Elizabeth.

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Magiciens de la Terre and Multiple Histories of Curating Global Art in Paris.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Magiciens de la Terre and Multiple Histories of Curating Global Art in Paris./
作者:	Duerler, Caitlin Elizabeth.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	83 p.
附註:	Source: Masters Abstracts International, Volume: 82-04.
Contained By:	Masters Abstracts International82-04.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28181005
ISBN:	9798678127280

Magiciens de la Terre and Multiple Histories of Curating Global Art in Paris.
Duerler, Caitlin Elizabeth.

Magiciens de la Terre and Multiple Histories of Curating Global Art in Paris. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 83 p.

Source: Masters Abstracts International, Volume: 82-04.

Thesis (M.A.)--University of Houston, 2020.

This item must not be sold to any third party vendors.

Curator Jean-Hubert Martin's 1989 exhibition "Magiciens de la terre" is considered the first exhibition of global contemporary art, displaying recent works by 50 Western and 50 Nonwestern artists. Most of the scholarship concerning "Magiciens" focuses on its legacy, including critiques of the exhibition model in addition to the show serving as a springboard for subsequent exhibitions of global contemporary art. My thesis analyzes the exhibition within a larger history of French display of nonwestern and western objects and artworks in Paris. By placing "Magiciens" within this history, this thesis project examines how this exhibition which opened during the bicentennial celebrations of the French Revolution in Paris reified Paris' claims of being an international center of art and culture in addition to positing Martin as "curator-as-artist.".

ISBN: 9798678127280Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Magiciens de la terre

Magiciens de la Terre and Multiple Histories of Curating Global Art in Paris.
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520 $a Curator Jean-Hubert Martin's 1989 exhibition "Magiciens de la terre" is considered the first exhibition of global contemporary art, displaying recent works by 50 Western and 50 Nonwestern artists. Most of the scholarship concerning "Magiciens" focuses on its legacy, including critiques of the exhibition model in addition to the show serving as a springboard for subsequent exhibitions of global contemporary art. My thesis analyzes the exhibition within a larger history of French display of nonwestern and western objects and artworks in Paris. By placing "Magiciens" within this history, this thesis project examines how this exhibition which opened during the bicentennial celebrations of the French Revolution in Paris reified Paris' claims of being an international center of art and culture in addition to positing Martin as "curator-as-artist.".
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