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¡Ni Una Menos! Feminist Artivism and...

Herrera, Heidi.

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¡Ni Una Menos! Feminist Artivism and Collective Resistance Against Feminicide in Latin America.

Record Type:	Electronic resources : Monograph/item
Title/Author:	¡Ni Una Menos! Feminist Artivism and Collective Resistance Against Feminicide in Latin America./
Author:	Herrera, Heidi.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	116 p.
Notes:	Source: Masters Abstracts International, Volume: 82-05.
Contained By:	Masters Abstracts International82-05.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28093448
ISBN:	9798691214400

¡Ni Una Menos! Feminist Artivism and Collective Resistance Against Feminicide in Latin America.
Herrera, Heidi.

¡Ni Una Menos! Feminist Artivism and Collective Resistance Against Feminicide in Latin America. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 116 p.

Source: Masters Abstracts International, Volume: 82-05.

Thesis (M.A.)--University of California, Davis, 2020.

This item must not be sold to any third party vendors.

Since the feminist Ni Una Menos collective (est. 2015- ) first launched in Argentina, transnational protests against gender violence in Latin America have brought attention to the staggering rates of rape, domestic violence, and femicide in the region as a silent genocide. Femicide is the most extreme act in a continuum of gender-based violence, a phenomenon that has been recognized by Latin American activists and scholars as feminicidio. Challenging the interconnected patriarchal, racial, economic, and colonial power imbalances that enable feminicide, anti-neoliberal artists working in collaborative frameworks throughout the Latin American diaspora are creating a body of work that, like Ni Una Menos, adopts a collectivist position of resistance. The artivist interventions of the radical street theater collectives LAS TESIS (Chile) and Fuerza Artistica de Choque Comunicativo (Argentina), and the collaborative Instagram projects No Estamos Todas ( noestamostodas) and Cruces x Rosas ( crucesxrosas), recognize gender violence as an individual experience that is a shared social condition. This paper examines the collaborative strategies used by these contemporary feminist collectives to translate loss and resistance, rupture public spaces, and mobilize across social media platforms. By way of their collective art practices, these artist-activists counter the individuation of gendered violence that is produced by the neoliberal state as they invoke their right to not only survive, but to imagine, create, and live.

ISBN: 9798691214400Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Art collectives

¡Ni Una Menos! Feminist Artivism and Collective Resistance Against Feminicide in Latin America.
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300 $a 116 p.
500 $a Source: Masters Abstracts International, Volume: 82-05.
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506 $a This item must not be sold to any third party vendors.
520 $a Since the feminist Ni Una Menos collective (est. 2015- ) first launched in Argentina, transnational protests against gender violence in Latin America have brought attention to the staggering rates of rape, domestic violence, and femicide in the region as a silent genocide. Femicide is the most extreme act in a continuum of gender-based violence, a phenomenon that has been recognized by Latin American activists and scholars as feminicidio. Challenging the interconnected patriarchal, racial, economic, and colonial power imbalances that enable feminicide, anti-neoliberal artists working in collaborative frameworks throughout the Latin American diaspora are creating a body of work that, like Ni Una Menos, adopts a collectivist position of resistance. The artivist interventions of the radical street theater collectives LAS TESIS (Chile) and Fuerza Artistica de Choque Comunicativo (Argentina), and the collaborative Instagram projects No Estamos Todas ( noestamostodas) and Cruces x Rosas ( crucesxrosas), recognize gender violence as an individual experience that is a shared social condition. This paper examines the collaborative strategies used by these contemporary feminist collectives to translate loss and resistance, rupture public spaces, and mobilize across social media platforms. By way of their collective art practices, these artist-activists counter the individuation of gendered violence that is produced by the neoliberal state as they invoke their right to not only survive, but to imagine, create, and live.
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650 4 $a Individual & family studies. $3 2122770
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653 $a Latin American activists
653 $a Anti-neoliberal artists
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