東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

To Stand in Playful Gardens: The Sta...

Lime, Emily Katherine.

Linked to FindBook

Google Book

Amazon

博客來

To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia.

Record Type:	Electronic resources : Monograph/item
Title/Author:	To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia./
Author:	Lime, Emily Katherine.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	55 p.
Notes:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
Subject:	Classical studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27957276
ISBN:	9798617072022

To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia.
Lime, Emily Katherine.

To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 55 p.

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2020.

This item must not be sold to any third party vendors.

In this study, I examine the presence of painted representations of statuary in Roman garden paintings, through the lens of Michel Foucault's concept of heterotopia. Previous scholarship concerning painted representations of statuary in wall painting has primarily focused on interior architectural schemes, with the monochromatic statues populating garden paintings viewed as outliers, due to their perceived failure to adhere to more general trends in painted statuary. I broadly examine this phenomenon of illusionistic representations of statuary in Roman wall painting, with specific attention to the use of color and the significance of statuary within the painted wall scheme. With this in mind, I then apply Foucault's principles of heterotopia to Pompeian garden paintings in a series of case studies, as a means of examining the role of statues in the construction of garden space-both physically and conceptually. Through an application of Foucault's idea of heterotopia, I consider how garden paintings and particularly their statuary elements reinforced the liminal nature of garden space through a series of temporal and spatial juxtapositions.

ISBN: 9798617072022Subjects--Topical Terms:

2122826
Classical studies.
Subjects--Index Terms:

Foucault

To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia.
LDR:02327nmm a2200385 4500 001 2276506
005 20210510090146.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798617072022
035 $a (MiAaPQ)AAI27957276
035 $a AAI27957276
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lime, Emily Katherine. $3 3554788
245 1 0 $a To Stand in Playful Gardens: The Statues of Roman Garden Paintings and Foucault's Heterotopia.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 55 p.
500 $a Source: Masters Abstracts International, Volume: 82-01.
500 $a Advisor: Valladares, Herica.
502 $a Thesis (M.A.)--The University of North Carolina at Chapel Hill, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a In this study, I examine the presence of painted representations of statuary in Roman garden paintings, through the lens of Michel Foucault's concept of heterotopia. Previous scholarship concerning painted representations of statuary in wall painting has primarily focused on interior architectural schemes, with the monochromatic statues populating garden paintings viewed as outliers, due to their perceived failure to adhere to more general trends in painted statuary. I broadly examine this phenomenon of illusionistic representations of statuary in Roman wall painting, with specific attention to the use of color and the significance of statuary within the painted wall scheme. With this in mind, I then apply Foucault's principles of heterotopia to Pompeian garden paintings in a series of case studies, as a means of examining the role of statues in the construction of garden space-both physically and conceptually. Through an application of Foucault's idea of heterotopia, I consider how garden paintings and particularly their statuary elements reinforced the liminal nature of garden space through a series of temporal and spatial juxtapositions.
590 $a School code: 0153.
650 4 $a Classical studies. $3 2122826
650 4 $a Art history. $3 2122701
650 4 $a Archaeology. $3 558412
653 $a Foucault
653 $a Garden
653 $a Heterotopia
653 $a Pompeii
653 $a Roman
653 $a Wall painting
690 $a 0434
690 $a 0377
690 $a 0324
710 2 $a The University of North Carolina at Chapel Hill. $b Classics. $3 1024826
773 0 $t Masters Abstracts International $g 82-01.
790 $a 0153
791 $a M.A.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27957276