東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"The Beauty of the Bough-Hung Banks"...

Leonard, Sarah Marie Mead.

FindBook

Google Book

Amazon

博客來

"The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape./
作者:	Leonard, Sarah Marie Mead.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	348 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
Contained By:	Dissertations Abstracts International82-03A.
標題:	Art history. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27830924
ISBN:	9798672161358

"The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape.
Leonard, Sarah Marie Mead.

"The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 348 p.

Source: Dissertations Abstracts International, Volume: 82-03, Section: A.

Thesis (Ph.D.)--University of Delaware, 2020.

This item must not be sold to any third party vendors.

This dissertation reexamines the work of the Victorian polymath William Morris (1834-1896) through his relationship with the landscape of the River Thames. Morris passed his whole life within the Thames's system of streams and gentle valleys, and the river flows through his intertwined roles of designer, author, political thinker, and factory owner. Employing strategies of historic landscape studies, material culture studies, and ecocriticism, this project uncovers the centrality of the Thames in Morris's life and works and thereby reveals new information about his inspiration and impact. Morris was a Londonder, but he eschewed the Victorian metropolis's modern landscape of change and pollution, focusing instead on a pastoral vision grounded in the rural landscapes of the Thames and its tributaries. This pastoral manifested across his writing - from poetry and romantic fantasies to speeches on aesthetics and politics - but, this project argues, it can also be clearly seen in his designs, particularly the printed repeating patterns of textiles and wallpapers for which he is so well known today. The close connection between Morris's most beloved countryside landscape, Kelmscott, and his patterns shows how the ecosystems and traditional agriculture of the Thames valley manifested in his visual style. Meanwhile, an inspection of the production history of those patterns - and especially the nine printed textiles which Morris named after tributaries of the Thames - uncovers the material inseparability of Morris's works and his native river system. While the visual content of the patterns calls upon the rural landscape Morris idealized, their production demanded extensive engagement with the Wandle, the Thames tributary which ran through the middle of the Morris & Co. factory premises. The river's water was used in every step of the textiles' production process, and the associated waste products would have entered the stream. Thus, Morris's relationship with the Thames and its tributaries reveals how he drew inspiration from the rural landscapes of the river and rejected London and modern systems of industry and pollution - but it also uncovers his inextricable place within those same systems.

ISBN: 9798672161358Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

British art

"The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape.
LDR:03389nmm a2200373 4500 001 2276487
005 20210510090142.5
008 220723s2020 ||||||||||||||||| ||eng d
020 $a 9798672161358
035 $a (MiAaPQ)AAI27830924
035 $a AAI27830924
040 $a MiAaPQ $c MiAaPQ
100 1 $a Leonard, Sarah Marie Mead. $3 3554769
245 1 0 $a "The Beauty of the Bough-Hung Banks": William Morris in the Thames Landscape.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 348 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-03, Section: A.
500 $a Advisor: Isenstadt, Sandy.
502 $a Thesis (Ph.D.)--University of Delaware, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation reexamines the work of the Victorian polymath William Morris (1834-1896) through his relationship with the landscape of the River Thames. Morris passed his whole life within the Thames's system of streams and gentle valleys, and the river flows through his intertwined roles of designer, author, political thinker, and factory owner. Employing strategies of historic landscape studies, material culture studies, and ecocriticism, this project uncovers the centrality of the Thames in Morris's life and works and thereby reveals new information about his inspiration and impact. Morris was a Londonder, but he eschewed the Victorian metropolis's modern landscape of change and pollution, focusing instead on a pastoral vision grounded in the rural landscapes of the Thames and its tributaries. This pastoral manifested across his writing - from poetry and romantic fantasies to speeches on aesthetics and politics - but, this project argues, it can also be clearly seen in his designs, particularly the printed repeating patterns of textiles and wallpapers for which he is so well known today. The close connection between Morris's most beloved countryside landscape, Kelmscott, and his patterns shows how the ecosystems and traditional agriculture of the Thames valley manifested in his visual style. Meanwhile, an inspection of the production history of those patterns - and especially the nine printed textiles which Morris named after tributaries of the Thames - uncovers the material inseparability of Morris's works and his native river system. While the visual content of the patterns calls upon the rural landscape Morris idealized, their production demanded extensive engagement with the Wandle, the Thames tributary which ran through the middle of the Morris & Co. factory premises. The river's water was used in every step of the textiles' production process, and the associated waste products would have entered the stream. Thus, Morris's relationship with the Thames and its tributaries reveals how he drew inspiration from the rural landscapes of the river and rejected London and modern systems of industry and pollution - but it also uncovers his inextricable place within those same systems.
590 $a School code: 0060.
650 4 $a Art history. $3 2122701
650 4 $a Landscape architecture. $3 541842
653 $a British art
653 $a Design history
653 $a Ecocriticism
653 $a Landscape history
653 $a Victorian art
653 $a Morris, William
690 $a 0377
690 $a 0390
710 2 $a University of Delaware. $b Art History. $3 3289330
773 0 $t Dissertations Abstracts International $g 82-03A.
790 $a 0060
791 $a Ph.D.
792 $a 2020
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27830924