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Fixing History: Time, Space, and Mon...

Gorjeltchan, Sasha.

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Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100./
作者:	Gorjeltchan, Sasha.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	473 p.
附註:	Source: Dissertations Abstracts International, Volume: 81-06, Section: A.
Contained By:	Dissertations Abstracts International81-06A.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13856401
ISBN:	9781392693247

Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100.
Gorjeltchan, Sasha.

Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 473 p.

Source: Dissertations Abstracts International, Volume: 81-06, Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2019.

This item must not be sold to any third party vendors.

This dissertation examines textual and visual production at the abbey of Saint-Aubin in Angers ca. 1100. Composed of three sumptuously illuminated manuscripts, a cartulary, and wall paintings and building projects in the abbey and throughout its network of dependencies, the extensive material investment at Saint-Aubin is indicative of institutional self-definition at the end of the eleventh century. Fragmentation of scholarship among specializations and media has isolated material culture from events, documents, and human agents, restricting academic discourse and implying a separation of art from social history. Taking a synthetic approach to material culture, this dissertation integrates different modes of institutional discourse to probe the role of the making and experience of art objects in the construction of monastic identity. The first half of this dissertation explores the concurrent territorial expansion, documentary drive, political alienation, and material investment as strategies in a multimedia and multidiscursive institutional affirmation at late-eleventh-century Saint-Aubin. In response to interventions from the papacy and the counts of Anjou, Saint-Aubin increasingly strove to articulate its institutional autonomy as pertaining to internal elections, landholding, and liturgical rights. Guided by a historiographical impulse, the monastic scribes and illuminators of the cartulary, the vita of St. Albinus, and the Second Bible materially constructed their aspirational institutional present as an ontological reproduction of a sacred monastic past; a past wherein total institutional autonomy was a foundational imperative. The second part of this dissertation addresses the role of the material culture of Saint-Aubin in the internalization and reification of monastic identity by its targeted audience. An interrogation of extensive visual symbiosis between manuscript illumination, monumental sculpture, and mural paintings reveals a cognitive spatial category in which various ontological, narrative, and historical spaces were associated with, and reproduced within, the church of Saint-Aubin and the body of St. Albinus. Through experience of manuscript illumination, architecture and fresco, rite, sermon, and cartulary transcription within this spatial category, institutional historiography of representation could become transformed into lived and embodied identity by the monks. Examined interdisciplinarily, Saint-Aubin provides an opportunity to establish a more holistic approach to the role of material culture in the creation of identity.

ISBN: 9781392693247Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

monastic art

Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100.
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520 $a This dissertation examines textual and visual production at the abbey of Saint-Aubin in Angers ca. 1100. Composed of three sumptuously illuminated manuscripts, a cartulary, and wall paintings and building projects in the abbey and throughout its network of dependencies, the extensive material investment at Saint-Aubin is indicative of institutional self-definition at the end of the eleventh century. Fragmentation of scholarship among specializations and media has isolated material culture from events, documents, and human agents, restricting academic discourse and implying a separation of art from social history. Taking a synthetic approach to material culture, this dissertation integrates different modes of institutional discourse to probe the role of the making and experience of art objects in the construction of monastic identity. The first half of this dissertation explores the concurrent territorial expansion, documentary drive, political alienation, and material investment as strategies in a multimedia and multidiscursive institutional affirmation at late-eleventh-century Saint-Aubin. In response to interventions from the papacy and the counts of Anjou, Saint-Aubin increasingly strove to articulate its institutional autonomy as pertaining to internal elections, landholding, and liturgical rights. Guided by a historiographical impulse, the monastic scribes and illuminators of the cartulary, the vita of St. Albinus, and the Second Bible materially constructed their aspirational institutional present as an ontological reproduction of a sacred monastic past; a past wherein total institutional autonomy was a foundational imperative. The second part of this dissertation addresses the role of the material culture of Saint-Aubin in the internalization and reification of monastic identity by its targeted audience. An interrogation of extensive visual symbiosis between manuscript illumination, monumental sculpture, and mural paintings reveals a cognitive spatial category in which various ontological, narrative, and historical spaces were associated with, and reproduced within, the church of Saint-Aubin and the body of St. Albinus. Through experience of manuscript illumination, architecture and fresco, rite, sermon, and cartulary transcription within this spatial category, institutional historiography of representation could become transformed into lived and embodied identity by the monks. Examined interdisciplinarily, Saint-Aubin provides an opportunity to establish a more holistic approach to the role of material culture in the creation of identity.
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