東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The Embodiment of the Unconscious, H...

Krtolica, Marija.

Linked to FindBook

Google Book

Amazon

博客來

The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater./
Author:	Krtolica, Marija.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	421 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-02, Section: A.
Contained By:	Dissertations Abstracts International80-02A.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10822358
ISBN:	9780438307896

The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater.
Krtolica, Marija.

The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 421 p.

Source: Dissertations Abstracts International, Volume: 80-02, Section: A.

Thesis (Ph.D.)--Temple University, 2018.

This item must not be sold to any third party vendors.

The primary subject of this dissertation is mental illness and performance of the hysterical symptom as they were investigated by the Swedish choreographer Mats Ek (Giselle, 1982), Tanztheater (from 1975-1979), and Second Wave Feminism. Historically, the examination begins in the nineteenth century, with the staging of madness in the romantic ballet Giselle (1841), and medical showings at Salpetriere (1870s). The historical sites point to the interweaving of medical and dance cultures, and to a tendency towards pathologization of idiosyncratic movement expression within nineteenth century discourses on heredity, degeneration, and female health. To historically probe the ways in which twentieth century concert dance commented on pathologization of femininity, female performative labor, and expressive movement, the examination extends to: the fin-de-siecle cafe-concert scene; psychoanalytic sessions of 1890s, in which dancing played a role in both diagnosis and treatment; Nijinsky's dance modernism as seen in Le Sacre du Printemps (1913); the anti-psychiatry within the post-1st World War Surrealism, and the post-2nd World War psychologically inflected choreographies by Antony Tudor, Martha Graham, Donya Feuer and Paul Sanasardo. The performance sites are investigated in relationship to the concepts of the unconscious, trauma, hysteria, hystericization, symptom, and expression. The dissertation proposes that late nineteenth century hysteria gained emancipatory meanings in the theoretical work of twentieth century dance scholarship, feminism, cultural criticism, and Freudian-Lacanian psychoanalysis. On the side of practice, Tanztheater participated in reclaiming hysteria. The Rite of Spring (1975), Bluebeard (1977), Cafe Muller (1978), and Arien (1979) explored traumatic memory, and male/female relationships in context of the post-2nd World War consumerist culture. I examine Pina Bausch's and Mats Ek's choreographies in dialogue with the contemporary theory to show that dance spectatorship can bring about an understanding of how the residues of political and personal past shape the experiences of the present.

ISBN: 9780438307896Subjects--Topical Terms:

610547
Dance.
Subjects--Index Terms:

Bausch, Pina

The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater.
LDR:03381nmm a2200409 4500 001 2274188
005 20201120093338.5
008 220629s2018 ||||||||||||||||| ||eng d
020 $a 9780438307896
035 $a (MiAaPQ)AAI10822358
035 $a (MiAaPQ)temple:13382
035 $a AAI10822358
040 $a MiAaPQ $c MiAaPQ
100 1 $a Krtolica, Marija. $3 3551656
245 1 4 $a The Embodiment of the Unconscious, Hysteria, Surrealism and Tanztheater.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 421 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-02, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Franko, Mark.
502 $a Thesis (Ph.D.)--Temple University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a The primary subject of this dissertation is mental illness and performance of the hysterical symptom as they were investigated by the Swedish choreographer Mats Ek (Giselle, 1982), Tanztheater (from 1975-1979), and Second Wave Feminism. Historically, the examination begins in the nineteenth century, with the staging of madness in the romantic ballet Giselle (1841), and medical showings at Salpetriere (1870s). The historical sites point to the interweaving of medical and dance cultures, and to a tendency towards pathologization of idiosyncratic movement expression within nineteenth century discourses on heredity, degeneration, and female health. To historically probe the ways in which twentieth century concert dance commented on pathologization of femininity, female performative labor, and expressive movement, the examination extends to: the fin-de-siecle cafe-concert scene; psychoanalytic sessions of 1890s, in which dancing played a role in both diagnosis and treatment; Nijinsky's dance modernism as seen in Le Sacre du Printemps (1913); the anti-psychiatry within the post-1st World War Surrealism, and the post-2nd World War psychologically inflected choreographies by Antony Tudor, Martha Graham, Donya Feuer and Paul Sanasardo. The performance sites are investigated in relationship to the concepts of the unconscious, trauma, hysteria, hystericization, symptom, and expression. The dissertation proposes that late nineteenth century hysteria gained emancipatory meanings in the theoretical work of twentieth century dance scholarship, feminism, cultural criticism, and Freudian-Lacanian psychoanalysis. On the side of practice, Tanztheater participated in reclaiming hysteria. The Rite of Spring (1975), Bluebeard (1977), Cafe Muller (1978), and Arien (1979) explored traumatic memory, and male/female relationships in context of the post-2nd World War consumerist culture. I examine Pina Bausch's and Mats Ek's choreographies in dialogue with the contemporary theory to show that dance spectatorship can bring about an understanding of how the residues of political and personal past shape the experiences of the present.
590 $a School code: 0225.
650 4 $a Dance. $3 610547
650 4 $a Psychology. $3 519075
650 4 $a Performing arts. $3 523119
653 $a Bausch, Pina
653 $a Feminism
653 $a Hysteria
653 $a Mats Ek
653 $a Psychoanalysis
653 $a Symptom
690 $a 0378
690 $a 0621
690 $a 0641
710 2 $a Temple University. $b Dance. $3 1019256
773 0 $t Dissertations Abstracts International $g 80-02A.
790 $a 0225
791 $a Ph.D.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10822358