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Cinegrafia: Literatura, Espectadores...

Robles, Rojo.

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Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica./
Author:	Robles, Rojo.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	168 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
Contained By:	Dissertations Abstracts International81-09A.
Subject:	Latin American literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27735451
ISBN:	9781392785249

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
Robles, Rojo.

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 168 p.

Source: Dissertations Abstracts International, Volume: 81-09, Section: A.

Thesis (Ph.D.)--City University of New York, 2020.

This item must not be sold to any third party vendors.

The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film's socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and reception, I examine intermedial literary methods, spectatorship, and cinephilia in Latin America. My research uses film theory alongside literary criticism and cultural analysis to explore how cinegraphic storytelling facilitates a commentary on race, gender, class, migrant lives, media, and technology. Through four chapters, I do close readings of cinegraphic cases from different national contexts. In the first chapter, I focus on engagements with active spectatorship by examining "Destinitos fatales," "Queremos tanto a Glenda," and "A Brick Wall," three short stories by Andres Caicedo, Julio Cortazar and Cesar Aira, respectively. In chapter two, I analyze the relationship between travels, film reception and memory in the novels Las peliculas de mi vida by Alberto Fuguet and La fiesta vigilada by Antonio Jose Ponte. The reproduction of silent comedy and film noir tropes in the novel Triste, solitario y final by Osvaldo Soriano centers the discussions of chapter three. Lastly, I discuss cinegraphic laboratories and fluid authorship in the short story Lost in the Museum of Natural History by Pedro Pietri, and the novels Yoyo Boing! by Giannina Braschi, Contrabando by Victor Hugo Rascon Banda and Cuatro muertos por capitulos by Cesar Lopez Cuadra. My dissertation argues that cinegraphic fiction promotes hybridity of form and content that expands the strategies of literary representation to highlight the interconnectedness of film culture and societal tensions. The use of cinema-infused modes of expression is central to a general critique of late capitalist societies and the marginalization of communities and individuals in Latin America and the United States.

ISBN: 9781392785249Subjects--Topical Terms:

2078811
Latin American literature.
Subjects--Index Terms:

Caribbean fiction

Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
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300 $a 168 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-09, Section: A.
500 $a Advisor: Smith, Paul Julian.
502 $a Thesis (Ph.D.)--City University of New York, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film's socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and reception, I examine intermedial literary methods, spectatorship, and cinephilia in Latin America. My research uses film theory alongside literary criticism and cultural analysis to explore how cinegraphic storytelling facilitates a commentary on race, gender, class, migrant lives, media, and technology. Through four chapters, I do close readings of cinegraphic cases from different national contexts. In the first chapter, I focus on engagements with active spectatorship by examining "Destinitos fatales," "Queremos tanto a Glenda," and "A Brick Wall," three short stories by Andres Caicedo, Julio Cortazar and Cesar Aira, respectively. In chapter two, I analyze the relationship between travels, film reception and memory in the novels Las peliculas de mi vida by Alberto Fuguet and La fiesta vigilada by Antonio Jose Ponte. The reproduction of silent comedy and film noir tropes in the novel Triste, solitario y final by Osvaldo Soriano centers the discussions of chapter three. Lastly, I discuss cinegraphic laboratories and fluid authorship in the short story Lost in the Museum of Natural History by Pedro Pietri, and the novels Yoyo Boing! by Giannina Braschi, Contrabando by Victor Hugo Rascon Banda and Cuatro muertos por capitulos by Cesar Lopez Cuadra. My dissertation argues that cinegraphic fiction promotes hybridity of form and content that expands the strategies of literary representation to highlight the interconnectedness of film culture and societal tensions. The use of cinema-infused modes of expression is central to a general critique of late capitalist societies and the marginalization of communities and individuals in Latin America and the United States.
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653 $a Caribbean fiction
653 $a Cinephilia
653 $a Noir literature
653 $a Spectatorship
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710 2 $a City University of New York. $b Latin American, Iberian and Latino Cultures. $3 3438009
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792 $a 2020
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27735451