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Black Things, White Spaces.

Washington, Lindsay.

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Black Things, White Spaces.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Black Things, White Spaces./
Author:	Washington, Lindsay.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	54 p.
Notes:	Source: Masters Abstracts International, Volume: 80-02.
Contained By:	Masters Abstracts International80-02.
Subject:	Black studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10789341
ISBN:	9780438163317

Black Things, White Spaces.
Washington, Lindsay.

Black Things, White Spaces. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 54 p.

Source: Masters Abstracts International, Volume: 80-02.

Thesis (M.F.A.)--Southern Illinois University at Carbondale, 2018.

This item must not be added to any third party search indexes.

This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist and how my artistic practice has evolved over the years. Throughout this time of self-exploration, I have developed an interest in themes of racism, structures of power, representation and stereotypes. In my artistic work, I explore how these themes affect the African American community, as well as myself, as an African American woman. This paper utilizes the creative and theoretical frameworks by artists and scholars like, Bill Viola, Adrian Piper, bell hooks, and Franz Fanon to support the intentions of my work. This thesis illustrates for the reader how my work approaches these themes through certain methodologies, such as: tactical media, blurring the lines between art and life, and the manipulation of time and space. In this paper, I argue the importance of placing my work within the context of African American experiences throughout history. By doing this, my work is able to reference several events throughout history, while addressing our current moment in time. Included in this manuscript are detailed descriptions and analyses of each piece in the thesis exhibition. It is important to speak about the development and the intentions of my art. While speaking about the work, I compare and contrast my thesis work to previous artworks I've done, as well as other artists works, in order to place these pieces within an art-historical framework. Finally, this thesis, also addresses how my current work presented in the thesis exhibition will inform my future artistic practice. I believe that my contributions to the African American media arts practice creates spaces to celebrate diversity, empower the voiceless, but most importantly, creates new avenues for change.

ISBN: 9780438163317Subjects--Topical Terms:

2122689
Black studies.
Subjects--Index Terms:

African American

Black Things, White Spaces.
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245 1 0 $a Black Things, White Spaces.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 54 p.
500 $a Source: Masters Abstracts International, Volume: 80-02.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Spahr, Robert.
502 $a Thesis (M.F.A.)--Southern Illinois University at Carbondale, 2018.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist and how my artistic practice has evolved over the years. Throughout this time of self-exploration, I have developed an interest in themes of racism, structures of power, representation and stereotypes. In my artistic work, I explore how these themes affect the African American community, as well as myself, as an African American woman. This paper utilizes the creative and theoretical frameworks by artists and scholars like, Bill Viola, Adrian Piper, bell hooks, and Franz Fanon to support the intentions of my work. This thesis illustrates for the reader how my work approaches these themes through certain methodologies, such as: tactical media, blurring the lines between art and life, and the manipulation of time and space. In this paper, I argue the importance of placing my work within the context of African American experiences throughout history. By doing this, my work is able to reference several events throughout history, while addressing our current moment in time. Included in this manuscript are detailed descriptions and analyses of each piece in the thesis exhibition. It is important to speak about the development and the intentions of my art. While speaking about the work, I compare and contrast my thesis work to previous artworks I've done, as well as other artists works, in order to place these pieces within an art-historical framework. Finally, this thesis, also addresses how my current work presented in the thesis exhibition will inform my future artistic practice. I believe that my contributions to the African American media arts practice creates spaces to celebrate diversity, empower the voiceless, but most importantly, creates new avenues for change.
590 $a School code: 0209.
650 4 $a Black studies. $3 2122689
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650 4 $a Film studies. $3 2122736
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653 $a Agency
653 $a Graphic design
653 $a Interventionist art
653 $a Multimedia
653 $a Video installation
690 $a 0325
690 $a 0558
690 $a 0900
710 2 $a Southern Illinois University at Carbondale. $b Mass Communication and Media Arts. $3 1044027
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793 $a English
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