東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Everyone's a Critic: Gatekeeping and...

Williams, Christopher.

FindBook

Google Book

Amazon

博客來

Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age./
作者:	Williams, Christopher.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	127 p.
附註:	Source: Masters Abstracts International, Volume: 82-01.
Contained By:	Masters Abstracts International82-01.
標題:	Communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27836076
ISBN:	9798641072883

Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age.
Williams, Christopher.

Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 127 p.

Source: Masters Abstracts International, Volume: 82-01.

Thesis (M.A.)--Wayne State University, 2020.

This item must not be sold to any third party vendors.

Film criticism has changed dramatically with the advent of the internet. Historically viewed as gatekeepers, today's critics now navigate authority and seek to position themselves as experts in a climate where amateur critics can create film criticism using a variety of digital tools, traditional platforms have disappeared, and websites such as Rotten Tomatoes provide access to aggregate scores that risk losing the individual critical perspectives in favor of consensus. This research observes a regional critics group in order to better understand the composition of criticism in a digital culture. It then observes Rotten Tomatoes and its role as a gatekeeper and then studies box office rankings, critics scores and audience scores to determine whether there is a disparity in reviews between critics and audiences.

ISBN: 9798641072883Subjects--Topical Terms:

524709
Communication.
Subjects--Index Terms:

Cinema

Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age.
LDR:01918nmm a2200373 4500 001 2268412
005 20200824072230.5
008 220629s2020 ||||||||||||||||| ||eng d
020 $a 9798641072883
035 $a (MiAaPQ)AAI27836076
035 $a AAI27836076
040 $a MiAaPQ $c MiAaPQ
100 1 $a Williams, Christopher. $3 2017371
245 1 0 $a Everyone's a Critic: Gatekeeping and Film Criticism in a Digital Age.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2020
300 $a 127 p.
500 $a Source: Masters Abstracts International, Volume: 82-01.
500 $a Advisor: McDevitt, Karen.
502 $a Thesis (M.A.)--Wayne State University, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a Film criticism has changed dramatically with the advent of the internet. Historically viewed as gatekeepers, today's critics now navigate authority and seek to position themselves as experts in a climate where amateur critics can create film criticism using a variety of digital tools, traditional platforms have disappeared, and websites such as Rotten Tomatoes provide access to aggregate scores that risk losing the individual critical perspectives in favor of consensus. This research observes a regional critics group in order to better understand the composition of criticism in a digital culture. It then observes Rotten Tomatoes and its role as a gatekeeper and then studies box office rankings, critics scores and audience scores to determine whether there is a disparity in reviews between critics and audiences.
590 $a School code: 0254.
650 4 $a Communication. $3 524709
650 4 $a Film studies. $3 2122736
653 $a Cinema
653 $a Critic
653 $a Criticism
653 $a Film
653 $a Gatekeeping
653 $a Rotten tomatoes
690 $a 0459
690 $a 0900
710 2 $a Wayne State University. $b Communication. $3 1022031
773 0 $t Masters Abstracts International $g 82-01.
790 $a 0254
791 $a M.A.
792 $a 2020
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27836076