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Imperfect Perfection: Uyghur Muqam a...
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Anderson, Elise Marie.
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Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China./
作者:
Anderson, Elise Marie.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:
282 p.
附註:
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:
Dissertations Abstracts International81-04A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22619779
ISBN:
9781687903273
Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China.
Anderson, Elise Marie.
Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China.
- Ann Arbor : ProQuest Dissertations & Theses, 2019 - 282 p.
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Thesis (Ph.D.)--Indiana University, 2019.
This item must not be sold to any third party vendors.
This dissertation explores how actors in various cultural institutions have shaped a genre of music performance among the Uyghurs of northwestern China into a highly symbolic form over the course of the twentieth century. Specifically, it explores the Uyghur On Ikki Muqami, or Uyghur Twelve Muqams, a large-scale set of suites that has come to define the core of Uyghur musical and cultural tradition over the past 80-plus years. Previous researchers have explored the work on muqam as an attempt to the tradition of cultural intimacies and as a project of national canon creation; however, scholars have yet to fully explore the symbolic dimensions of the culture work enacted to transform muqam into a representative form. My dissertation explores this culture work, arguing that muqam-a microcosm of the broader PRC project to define and codify Uyghur culture-has been transformed by processes of cultural renovation, a set of discourses and practices that treats culture as analogous to the built environment and thus subject to extensive maintenance work. Drawing from data gathered in more than 30 months of ethnographic and textual research in China and Sweden, the dissertation explores different sites and realms of cultural renovation, including the efforts of the party-state and ethnic minority elites alike to use music in the service of politics (Chapter 2), cultural bureaucracies and the labeling of muqam as intangible cultural heritage (Chapter 3), historical shifts in modes of textual production (Chapter 4), audio, visual, and linguistic renovations in the staging of muqam performance (Chapter 5), and pedagogical renovations in institutional music education (Chapter 6). The concept of cultural renovation provides a theoretical model for understanding the relationship between music and the state.
ISBN: 9781687903273Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Culture
Imperfect Perfection: Uyghur Muqam and the Practice of Cultural Renovation in the People's Republic of China.
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This dissertation explores how actors in various cultural institutions have shaped a genre of music performance among the Uyghurs of northwestern China into a highly symbolic form over the course of the twentieth century. Specifically, it explores the Uyghur On Ikki Muqami, or Uyghur Twelve Muqams, a large-scale set of suites that has come to define the core of Uyghur musical and cultural tradition over the past 80-plus years. Previous researchers have explored the work on muqam as an attempt to the tradition of cultural intimacies and as a project of national canon creation; however, scholars have yet to fully explore the symbolic dimensions of the culture work enacted to transform muqam into a representative form. My dissertation explores this culture work, arguing that muqam-a microcosm of the broader PRC project to define and codify Uyghur culture-has been transformed by processes of cultural renovation, a set of discourses and practices that treats culture as analogous to the built environment and thus subject to extensive maintenance work. Drawing from data gathered in more than 30 months of ethnographic and textual research in China and Sweden, the dissertation explores different sites and realms of cultural renovation, including the efforts of the party-state and ethnic minority elites alike to use music in the service of politics (Chapter 2), cultural bureaucracies and the labeling of muqam as intangible cultural heritage (Chapter 3), historical shifts in modes of textual production (Chapter 4), audio, visual, and linguistic renovations in the staging of muqam performance (Chapter 5), and pedagogical renovations in institutional music education (Chapter 6). The concept of cultural renovation provides a theoretical model for understanding the relationship between music and the state.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22619779
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