東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Virtual Actualities: Technology, Mus...

Albrezzi, Francesca.

Linked to FindBook

Google Book

Amazon

博客來

Virtual Actualities: Technology, Museums, and Immersion.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Virtual Actualities: Technology, Museums, and Immersion./
Author:	Albrezzi, Francesca.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	303 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-03, Section: B.
Contained By:	Dissertations Abstracts International81-03B.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13897853
ISBN:	9781085620918

Virtual Actualities: Technology, Museums, and Immersion.
Albrezzi, Francesca.

Virtual Actualities: Technology, Museums, and Immersion. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 303 p.

Source: Dissertations Abstracts International, Volume: 81-03, Section: B.

Thesis (Ph.D.)--University of California, Los Angeles, 2019.

This item must not be sold to any third party vendors.

In this dissertation, I build discussions around the use of digital technologies in association with art and art historical contexts to ask greater cultural heritage questions regarding humanity's relationship with digital technology. My work reflects on the emergence of digital humanities as a field in response to the experimentation and incorporation of digital methods, with an emphasis on extended reality (XR) technologies, for conducting humanities research in relation to arts and culture-based organizations. I investigate the advantages and disadvantages digital tools bring to the field of Art History today. In particular, the project focuses on modes of publishing, display, and information-capture in museums and archives that illustrate a break from "traditional" models. In doing so, I argue that digital modalities provide a distinctly different paradigm for epistemologies of art and culture. Extending previous research in museum studies and media studies, I address a selection of the latest technological interventions within museum and cultural heritage contexts that operate within a spectrum of immersive modalities and use extended reality technologies. The dissertation brings together many humanities disciplines to investigate how sharing XR within a museum both disrupts and complements the time-tested benefits of object-centered methods of display, representation, and education.The phase "virtual actualities" within the title of the dissertation signals changes in practice that are being brought about as digital technologies, and particularly XR, become incorporated into fields of arts and culture. "Actualities" connote the practical matters associated with producing, presenting, and preserving digitally immersive materials in the contexts of gallery, library, archive, and museum (GLAM) organizations. "Reality" in turn is reserved for the qualities perceived when discussing the characteristics that define 3D and XR production. At the fore in addressing new topics in museum practices and by conducting new experimentation through the application of immersive technologies, this dissertation can offer new information for digital art history, cultural heritage, and museum studies. The aggregation of examples throughout the dissertation aims to provide a survey of the field of XR in its current state within GLAM settings in order to offer insight and guidance for future development and implementation.

ISBN: 9781085620918Subjects--Topical Terms:

2122701
Art history.

Virtual Actualities: Technology, Museums, and Immersion.
LDR:03449nmm a2200313 4500 001 2264943
005 20200515113439.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781085620918
035 $a (MiAaPQ)AAI13897853
035 $a AAI13897853
040 $a MiAaPQ $c MiAaPQ
100 1 $a Albrezzi, Francesca. $3 3542083
245 1 0 $a Virtual Actualities: Technology, Museums, and Immersion.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 303 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-03, Section: B.
500 $a Advisor: Roberts, Allen Fraleigh.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a In this dissertation, I build discussions around the use of digital technologies in association with art and art historical contexts to ask greater cultural heritage questions regarding humanity's relationship with digital technology. My work reflects on the emergence of digital humanities as a field in response to the experimentation and incorporation of digital methods, with an emphasis on extended reality (XR) technologies, for conducting humanities research in relation to arts and culture-based organizations. I investigate the advantages and disadvantages digital tools bring to the field of Art History today. In particular, the project focuses on modes of publishing, display, and information-capture in museums and archives that illustrate a break from "traditional" models. In doing so, I argue that digital modalities provide a distinctly different paradigm for epistemologies of art and culture. Extending previous research in museum studies and media studies, I address a selection of the latest technological interventions within museum and cultural heritage contexts that operate within a spectrum of immersive modalities and use extended reality technologies. The dissertation brings together many humanities disciplines to investigate how sharing XR within a museum both disrupts and complements the time-tested benefits of object-centered methods of display, representation, and education.The phase "virtual actualities" within the title of the dissertation signals changes in practice that are being brought about as digital technologies, and particularly XR, become incorporated into fields of arts and culture. "Actualities" connote the practical matters associated with producing, presenting, and preserving digitally immersive materials in the contexts of gallery, library, archive, and museum (GLAM) organizations. "Reality" in turn is reserved for the qualities perceived when discussing the characteristics that define 3D and XR production. At the fore in addressing new topics in museum practices and by conducting new experimentation through the application of immersive technologies, this dissertation can offer new information for digital art history, cultural heritage, and museum studies. The aggregation of examples throughout the dissertation aims to provide a survey of the field of XR in its current state within GLAM settings in order to offer insight and guidance for future development and implementation.
590 $a School code: 0031.
650 4 $a Art history. $3 2122701
650 4 $a Museum studies. $3 2122775
650 4 $a Information technology. $3 532993
690 $a 0377
690 $a 0730
690 $a 0489
710 2 $a University of California, Los Angeles. $b Culture & Performance Studies 0378. $3 2097764
773 0 $t Dissertations Abstracts International $g 81-03B.
790 $a 0031
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13897853