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DreamWorks animation = intertextuali...
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Summers, Sam.
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DreamWorks animation = intertextuality and aesthetics in Shrek and beyond /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
DreamWorks animation/ by Sam Summers.
其他題名:
intertextuality and aesthetics in Shrek and beyond /
作者:
Summers, Sam.
出版者:
Cham :Springer International Publishing : : 2020.,
面頁冊數:
ix, 233 p. :ill. (some col.), digital ;24 cm.
內容註:
1. Layered, Like Onions: Introducing DreamWorks' Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. 'All Star' soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks' impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks' online afterlife -- Index.
Contained By:
Springer Nature eBook
標題:
Animated films - History and criticism. - United States -
電子資源:
https://doi.org/10.1007/978-3-030-36851-7
ISBN:
9783030368517
DreamWorks animation = intertextuality and aesthetics in Shrek and beyond /
Summers, Sam.
DreamWorks animation
intertextuality and aesthetics in Shrek and beyond /[electronic resource] :by Sam Summers. - Cham :Springer International Publishing :2020. - ix, 233 p. :ill. (some col.), digital ;24 cm. - Palgrave animation,2523-8086. - Palgrave animation..
1. Layered, Like Onions: Introducing DreamWorks' Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. 'All Star' soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks' impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks' online afterlife -- Index.
DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention. The book will historicise DreamWorks' contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films' visual aesthetics to assess DreamWorks' influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.
ISBN: 9783030368517
Standard No.: 10.1007/978-3-030-36851-7doiSubjects--Corporate Names:
1042956
DreamWorks Animation.
Subjects--Topical Terms:
538026
Animated films
--History and criticism.--United States
LC Class. No.: NC1766.U5 / S85 2020
Dewey Class. No.: 791.4334
DreamWorks animation = intertextuality and aesthetics in Shrek and beyond /
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1. Layered, Like Onions: Introducing DreamWorks' Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. 'All Star' soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks' impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks' online afterlife -- Index.
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DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention. The book will historicise DreamWorks' contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films' visual aesthetics to assess DreamWorks' influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.
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