東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

British film music = musical traditi...

Mazey, Paul.

Linked to FindBook

Google Book

Amazon

博客來

British film music = musical traditions in British Cinema, 1930s-1950s /

Record Type:	Electronic resources : Monograph/item
Title/Author:	British film music/ by Paul Mazey.
Reminder of title:	musical traditions in British Cinema, 1930s-1950s /
Author:	Mazey, Paul.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xii, 213 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion.
Contained By:	Springer Nature eBook
Subject:	Motion picture music - History and criticism. - Great Britain -
Online resource:	https://doi.org/10.1007/978-3-030-33550-2
ISBN:	9783030335502

British film music = musical traditions in British Cinema, 1930s-1950s /
Mazey, Paul.

British film musicmusical traditions in British Cinema, 1930s-1950s /[electronic resource] :by Paul Mazey. - Cham :Springer International Publishing :2020. - xii, 213 p. :ill., digital ;24 cm. - Palgrave studies in audio-visual culture,2634-6354. - Palgrave studies in audio-visual culture..

Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion.

This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.

ISBN: 9783030335502

Standard No.: 10.1007/978-3-030-33550-2doiSubjects--Topical Terms:

3260120
Motion picture music
--History and criticism.--Great Britain

LC Class. No.: ML2075 / .M39 2020

Dewey Class. No.: 781.5420941

British film music = musical traditions in British Cinema, 1930s-1950s /
LDR:02107nmm a2200349 a 4500 001 2258343
003 DE-He213
005 20200930211628.0
006 m d
007 cr nn 008maaau
008 220420s2020 sz s 0 eng d
020 $a 9783030335502 $q (electronic bk.)
020 $a 9783030335496 $q (paper)
024 7 $a 10.1007/978-3-030-33550-2 $2 doi
035 $a 978-3-030-33550-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML2075 $b .M39 2020
072 7 $a AP $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $2 thema
072 7 $a JBCC $2 thema
082 0 4 $a 781.5420941 $2 23
090 $a ML2075 $b .M476 2020
100 1 $a Mazey, Paul. $3 3530316
245 1 0 $a British film music $h [electronic resource] : $b musical traditions in British Cinema, 1930s-1950s / $c by Paul Mazey.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xii, 213 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in audio-visual culture, $x 2634-6354
505 0 $a Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion.
520 $a This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.
650 0 $a Motion picture music $z Great Britain $x History and criticism. $3 3260120
650 1 4 $a Audio-Visual Culture. $3 3210047
650 2 4 $a Music. $3 516178
650 2 4 $a British Cinema and TV. $3 3383490
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in audio-visual culture. $3 3201013
856 4 0 $u https://doi.org/10.1007/978-3-030-33550-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)