東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Affirmative aesthetics and wilful wo...

Ceuterick, Maud.

FindBook

Google Book

Amazon

博客來

Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Affirmative aesthetics and wilful women/ by Maud Ceuterick.
其他題名:	gender, space and mobility in contemporary cinema /
作者:	Ceuterick, Maud.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	xvi, 186 p. :ill., digital ;24 cm.
內容註:	1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
Contained By:	Springer Nature eBook
標題:	Sex role in motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-030-37039-8
ISBN:	9783030370398

Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /
Ceuterick, Maud.

Affirmative aesthetics and wilful womengender, space and mobility in contemporary cinema /[electronic resource] :by Maud Ceuterick. - Cham :Springer International Publishing :2020. - xvi, 186 p. :ill., digital ;24 cm.

1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.

Open access.

While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces-such as cars, homes, and city streets-that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.

ISBN: 9783030370398

Standard No.: 10.1007/978-3-030-37039-8doiSubjects--Topical Terms:

540629
Sex role in motion pictures.

LC Class. No.: PN1995.9.S47 / C4 2020

Dewey Class. No.: 791.43653

Affirmative aesthetics and wilful women = gender, space and mobility in contemporary cinema /
LDR:02275nmm a2200337 a 4500 001 2256577
003 DE-He213
005 20210204094838.0
006 m d
007 cr nn 008maaau
008 220420s2020 sz s 0 eng d
020 $a 9783030370398 $q (electronic bk.)
020 $a 9783030370381 $q (paper)
024 7 $a 10.1007/978-3-030-37039-8 $2 doi
035 $a 978-3-030-37039-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.S47 $b C4 2020
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a ATFA $2 thema
082 0 4 $a 791.43653 $2 23
090 $a PN1995.9.S47 $b C423 2020
100 1 $a Ceuterick, Maud. $3 3527007
245 1 0 $a Affirmative aesthetics and wilful women $h [electronic resource] : $b gender, space and mobility in contemporary cinema / $c by Maud Ceuterick.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xvi, 186 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
506 $a Open access.
520 $a While the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces-such as cars, homes, and city streets-that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
650 0 $a Sex role in motion pictures. $3 540629
650 0 $a Women in motion pictures. $3 549618
650 0 $a Human body in motion pictures. $3 962674
650 0 $a Space in motion pictures. $3 1583109
650 0 $a Feminist film criticism. $3 549664
650 0 $a Motion pictures $x Aesthetics. $3 627458
650 1 4 $a Film Theory. $3 2191773
650 2 4 $a Culture and Gender. $3 3210058
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-37039-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)