| 內容註: |
INTRODUCTION -- Laszlo Muntean, Ali Shobeiri, Maarten van Gageldonk -- PART I MEMORY AND MATERIALITY -- 1. Memoria Rerum: Animated Materiality, Memory and Amnesia -- Suzanne Buchan -- 2. Collaging Cultural Memory: Appropriation, Memory and Gender in the Films of Stacey Steers -- Maarten van Gageldonk -- 3. Animating Amnesia: The Materiality of Forgetting in Izabela Plucinska's Liebling -- Laszlo Muntean -- PART II ANIMATION TECHNIQUES AND MEMORY -- 4. A Printing Machine for the Memory': Stillness, Metamorphosis, and the Poiesis of Memory in Death and the Mother -- Nicholas Andrew Miller -- 5. Drawing on Memory: Layers of Association in Robert Breer's Animated Films -- Mirriam Harris -- 6. Beyond the Unrepresentable: Animation, Bodies and Holocaust Memory -- Victoria Grace Walden -- PART III TRAUMA AND THE BODY -- 7. Antumbral Memory: A Psychosomatic Phenomenon in the Phantom Limb -- Ali Shobeiri -- 8. Metamorphosis, Memory, and Trauma in Michele Cournoyer's The Hat -- Ruth Richards -- 9. Apocalypse, Amnesia, and Acknowledgement: Trauma and Memory in Animated Movies -- Oliver Scheid -- PART IV ANIMATING URBAN PASTS -- 10. Stan Douglas and the Animation of Vancouver's Urban Past -- Joel McKim -- 11. Cinema Emek, Cinema Labour, Cinema Travail: Revitalization of Istanbul's Urban Past and the Cultural Memory of Protest -- Cansu Soyupak -- PART V DOCUMENTARY AND ANIMATION -- 12. 'However it affects you, it does not have to hold you back': Animated Personal Accounts in My Autism and Me and the Genealogy of the Neurobiological Subject -- Hannah Ebben -- 13. Animated Memories -- Annabelle Honess Roe. |