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Post-crisis European cinema = white ...

Kalmar, Gyorgy.

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Post-crisis European cinema = white men in off-modern landscapes /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-crisis European cinema/ by Gyorgy Kalmar.
Reminder of title:	white men in off-modern landscapes /
Author:	Kalmar, Gyorgy.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xviii, 273 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- CHAPTER 1: Men in Retreat on the Margins of Europe -- CHAPTER 2: Old, Useless Men -- CHAPTER 3: Narratives of Migration -- CHAPTER 4: Unprocessed Pasts (and white guilt) -- CHAPTER 5: Routes of escapism -- CHAPTER 6: The Lads of the New Right -- Conclusion.
Contained By:	Springer eBooks
Subject:	Motion pictures and men. -
Online resource:	https://doi.org/10.1007/978-3-030-45035-9
ISBN:	9783030450359

Post-crisis European cinema = white men in off-modern landscapes /
Kalmar, Gyorgy.

Post-crisis European cinemawhite men in off-modern landscapes /[electronic resource] :by Gyorgy Kalmar. - Cham :Springer International Publishing :2020. - xviii, 273 p. :ill., digital ;24 cm.

Introduction -- CHAPTER 1: Men in Retreat on the Margins of Europe -- CHAPTER 2: Old, Useless Men -- CHAPTER 3: Narratives of Migration -- CHAPTER 4: Unprocessed Pasts (and white guilt) -- CHAPTER 5: Routes of escapism -- CHAPTER 6: The Lads of the New Right -- Conclusion.

This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter's Moon, it puts distinctively "post-crisis", gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.

ISBN: 9783030450359

Standard No.: 10.1007/978-3-030-45035-9doiSubjects--Topical Terms:

3524834
Motion pictures and men.

LC Class. No.: PN1995.9.M46 / K356 2020

Dewey Class. No.: 791.4365211

Post-crisis European cinema = white men in off-modern landscapes /
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505 0 $a Introduction -- CHAPTER 1: Men in Retreat on the Margins of Europe -- CHAPTER 2: Old, Useless Men -- CHAPTER 3: Narratives of Migration -- CHAPTER 4: Unprocessed Pasts (and white guilt) -- CHAPTER 5: Routes of escapism -- CHAPTER 6: The Lads of the New Right -- Conclusion.
520 $a This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter's Moon, it puts distinctively "post-crisis", gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
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