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Females in the frame = women, art, a...

Jackson, Penelope.

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Females in the frame = women, art, and crime /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Females in the frame/ by Penelope Jackson.
Reminder of title:	women, art, and crime /
Author:	Jackson, Penelope.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xv, 222 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.
Contained By:	Springer eBooks
Subject:	Female offenders. -
Online resource:	https://doi.org/10.1007/978-3-030-44692-5
ISBN:	9783030446925

Females in the frame = women, art, and crime /
Jackson, Penelope.

Females in the framewomen, art, and crime /[electronic resource] :by Penelope Jackson. - Second edition. - Cham :Springer International Publishing :2020. - xv, 222 p. :ill., digital ;24 cm.

1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.

This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.

ISBN: 9783030446925

Standard No.: 10.1007/978-3-030-44692-5doiSubjects--Topical Terms:

617355
Female offenders.

LC Class. No.: HV6046 / .J335 2020

Dewey Class. No.: 364.1082

Females in the frame = women, art, and crime /
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100 1 $a Jackson, Penelope. $3 3524808
245 1 0 $a Females in the frame $h [electronic resource] : $b women, art, and crime / $c by Penelope Jackson.
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260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xv, 222 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence.
520 $a This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
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650 2 4 $a Crime and Society. $3 2182009
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