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The international encyclopedia of ge...

Ross, Karen, (1957-)

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The international encyclopedia of gender, media, and communication

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The international encyclopedia of gender, media, and communication/ editor-in-chief, Karen Ross ; associate editors, Ingrid Bachmann ... [et al.]
其他題名:	Gender, media, and communication
其他作者:	Ross, Karen,
出版者:	Hoboken, NJ :Wiley-Blackwell, : 2020.,
面頁冊數:	1 online resource (3 v.)
內容註:	Volume I. A-F -- Volume II. G-P -- Volume III. Q-Z.
標題:	Mass media and women. -
電子資源:	https://onlinelibrary.wiley.com/doi/book/10.1002/9781119429128
ISBN:	9781119429128

The international encyclopedia of gender, media, and communication
The international encyclopedia of gender, media, and communication[electronic resource] /Gender, media, and communicationeditor-in-chief, Karen Ross ; associate editors, Ingrid Bachmann ... [et al.] - 1st ed. - Hoboken, NJ :Wiley-Blackwell,2020. - 1 online resource (3 v.) - Wiley Blackwell-ICA international encyclopedias of communication. - Wiley Blackwell-ICA international encyclopedias of communication..

Includes bibliographical references and index.

Volume I. A-F -- Volume II. G-P -- Volume III. Q-Z.

"Feminist film theory is the theoretical exploration and investigation of the position of the woman within film culture. In the general atmosphere of the women's movement of the late 1960s-early 1970s, the presence of a feminist sensibility exuded into the academia with the progression of film studies as a proper discipline of study. Feminist film theory concerned itself primarily with analyzing and interrogating the image and place of women in film, exposing their discriminated position as well as the myths that circulated through the pervasive images on the big screen, and progressively started interrogating women's subjectivity, desire, and gaze as well as their multifaceted contribution to film culture as directors, editors, designers, producers, and so on. It also progressively became more inclusive and attentive to the intersectionality of sex, race, and class. This entry is organized in a chronological and subject matter order by giving a trajectory of the research/interrogation questions that have invariably interested feminist film theory since the 1970s up until now"--

ISBN: 9781119429128

LCCN: 2020034075Subjects--Topical Terms:

526769
Mass media and women.

LC Class. No.: P94.5.W65 / I58 2021

Dewey Class. No.: 302.23081

The international encyclopedia of gender, media, and communication
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520 $a "Feminist film theory is the theoretical exploration and investigation of the position of the woman within film culture. In the general atmosphere of the women's movement of the late 1960s-early 1970s, the presence of a feminist sensibility exuded into the academia with the progression of film studies as a proper discipline of study. Feminist film theory concerned itself primarily with analyzing and interrogating the image and place of women in film, exposing their discriminated position as well as the myths that circulated through the pervasive images on the big screen, and progressively started interrogating women's subjectivity, desire, and gaze as well as their multifaceted contribution to film culture as directors, editors, designers, producers, and so on. It also progressively became more inclusive and attentive to the intersectionality of sex, race, and class. This entry is organized in a chronological and subject matter order by giving a trajectory of the research/interrogation questions that have invariably interested feminist film theory since the 1970s up until now"-- $c Provided by publisher.
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