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Stealing the show = a history of art...

Barelli, John,

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Stealing the show = a history of art and crime in six thefts /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Stealing the show/ John Barelli, former Chief Security Officer, the Metropolitan Museum of Art ; with Zachary Schisgal.
Reminder of title:	a history of art and crime in six thefts /
remainder title:	History of art and crime in six thefts
Author:	Barelli, John,
other author:	Schisgal, Zachary,
Description:	1 online resource (233 p.)
Subject:	Art thefts. -
Online resource:	https://portal.igpublish.com/iglibrary/search/ROWMANB0020454.html
ISBN:	1493038230

Stealing the show = a history of art and crime in six thefts /
Barelli, John,

Stealing the showa history of art and crime in six thefts /[electronic resource] :History of art and crime in six theftsJohn Barelli, former Chief Security Officer, the Metropolitan Museum of Art ; with Zachary Schisgal. - 1 online resource (233 p.)

Includes bibliographical references and index.

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of forty years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch the investigations that captured thieves and recovered artwork the lessons he learned and shared with law enforcement professionals in the United States and abroad the accidents and near misses and a few mysteries that were sadly never solved. He takes readers behind the scenes at the Met, introduces curators and administrators, walks the empty corridors after hours, and shares what it's like to get the call that an ancient masterpiece has gone missing. The Metropolitan Museum covers twelve acres in the heart of Manhattan and is filled with five thousand years of work by history's great artists known and unknown: Goya, da Vinci, Rembrandt, Warhol, Pollack, Egyptian mummies, Babylonian treasures, Colonial crafts, and Greek vases. John and a small staff of security professionals housed within the Museum were responsible for all of it. Over the years, John helped make the museum the state-of-the-art facility it is today and created a legacy in art security for decades to come. Focusing on six thefts but filled with countless stories that span the late 1970s on into the 21st century, John opens the files on thefts, shows how museum personnel along with local and sometimes Federal Agents opened investigations and more often than not caught the thief. But of ultimate importance was the recovery of the artwork, including Celtic and Egyptian gold, French tapestries, Greek sculpture, and more. At the heart of this book there will always be art-those who love it and those who take it, two groups of people that are far from mutually exclusive.

Mode of access: World Wide Web.

ISBN: 1493038230Subjects--Personal Names:

3511850
Barelli, John.
Subjects--Corporate Names:

515140
Metropolitan Museum of Art (New York, N.Y.)
Subjects--Topical Terms:

672861
Art thefts.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N8795

Dewey Class. No.: 364.16/287

Stealing the show = a history of art and crime in six thefts /
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520 3 $a When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of forty years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch the investigations that captured thieves and recovered artwork the lessons he learned and shared with law enforcement professionals in the United States and abroad the accidents and near misses and a few mysteries that were sadly never solved. He takes readers behind the scenes at the Met, introduces curators and administrators, walks the empty corridors after hours, and shares what it's like to get the call that an ancient masterpiece has gone missing. The Metropolitan Museum covers twelve acres in the heart of Manhattan and is filled with five thousand years of work by history's great artists known and unknown: Goya, da Vinci, Rembrandt, Warhol, Pollack, Egyptian mummies, Babylonian treasures, Colonial crafts, and Greek vases. John and a small staff of security professionals housed within the Museum were responsible for all of it. Over the years, John helped make the museum the state-of-the-art facility it is today and created a legacy in art security for decades to come. Focusing on six thefts but filled with countless stories that span the late 1970s on into the 21st century, John opens the files on thefts, shows how museum personnel along with local and sometimes Federal Agents opened investigations and more often than not caught the thief. But of ultimate importance was the recovery of the artwork, including Celtic and Egyptian gold, French tapestries, Greek sculpture, and more. At the heart of this book there will always be art-those who love it and those who take it, two groups of people that are far from mutually exclusive.
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