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From modernism to postmodernism = between universal and local /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From modernism to postmodernism/ Gregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan (eds.).
其他題名:	between universal and local /
其他作者:	Pompe, Gregor.
出版者:	Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften, : 2016.,
面頁冊數:	402 p. :ill., digital ;24 cm.
內容註:	Preface - Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview - Helmut Loos Modernity - Postmodernity. Controversial Core Structures of Musical Thinking - Petra Ceferin The Creative Practice (of Architecture): Insisting on the In-Between.43 Niksa Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? - From Modernism - Grazina Daunoraviciene Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as an Example of European Modernism in its Early Stages - Manuel Farolfi Modernism at Work in Pierre Boulez's Writings, 1948-952 - Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata - Ka-man Choi Textual Permutation in Mauricio Kagel's Anagrama (1957-958): New Modes of Serial Thought - Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview - to Postmodernism Juija Jonae From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists - Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps - Gregor Pompe Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism - Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke - Simone Heilgendorff Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? - Alessandro Miani A Language-Based Approach to Music and Intertextuality - Milena Bozhikova Contemporary Music between History and Eschatology - Postmodernism in Eastern Europe Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art - Kamile Rupeikaite The Semantics of the Music of Anatolijus Senderovas - Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdansk Milieu - Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy - Niall O'Loughlin Lojze Lebic: Modernism and the Vernacular - Ira Prodanov Krajisnik Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness -
標題:	Music - Philosophy and aesthetics. - 20th century -
電子資源:	https://www.peterlang.com/document/1050069
ISBN:	9783653065015

From modernism to postmodernism = between universal and local /
From modernism to postmodernismbetween universal and local /[electronic resource] :Gregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan (eds.). - Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften,2016. - 402 p. :ill., digital ;24 cm.

Preface - Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview - Helmut Loos Modernity - Postmodernity. Controversial Core Structures of Musical Thinking - Petra Ceferin The Creative Practice (of Architecture): Insisting on the In-Between.43 Niksa Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? - From Modernism - Grazina Daunoraviciene Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as an Example of European Modernism in its Early Stages - Manuel Farolfi Modernism at Work in Pierre Boulez's Writings, 1948-952 - Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata - Ka-man Choi Textual Permutation in Mauricio Kagel's Anagrama (1957-958): New Modes of Serial Thought - Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview - to Postmodernism Juija Jonae From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists - Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps - Gregor Pompe Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism - Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke - Simone Heilgendorff Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? - Alessandro Miani A Language-Based Approach to Music and Intertextuality - Milena Bozhikova Contemporary Music between History and Eschatology - Postmodernism in Eastern Europe Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art - Kamile Rupeikaite The Semantics of the Music of Anatolijus Senderovas - Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdansk Milieu - Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy - Niall O'Loughlin Lojze Lebic: Modernism and the Vernacular - Ira Prodanov Krajisnik Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness -

The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar <<universality>> was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.

ISBN: 9783653065015Subjects--Topical Terms:

2088599
Music
--Philosophy and aesthetics.--20th century

LC Class. No.: ML3845 / .F83 2016

Dewey Class. No.: 780.904

From modernism to postmodernism = between universal and local /
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505 0 $a Preface - Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview - Helmut Loos Modernity - Postmodernity. Controversial Core Structures of Musical Thinking - Petra Ceferin The Creative Practice (of Architecture): Insisting on the In-Between.43 Niksa Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? - From Modernism - Grazina Daunoraviciene Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as an Example of European Modernism in its Early Stages - Manuel Farolfi Modernism at Work in Pierre Boulez's Writings, 1948-952 - Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata - Ka-man Choi Textual Permutation in Mauricio Kagel's Anagrama (1957-958): New Modes of Serial Thought - Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview - to Postmodernism Juija Jonae From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists - Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps - Gregor Pompe Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism - Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke - Simone Heilgendorff Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? - Alessandro Miani A Language-Based Approach to Music and Intertextuality - Milena Bozhikova Contemporary Music between History and Eschatology - Postmodernism in Eastern Europe Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art - Kamile Rupeikaite The Semantics of the Music of Anatolijus Senderovas - Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdansk Milieu - Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy - Niall O'Loughlin Lojze Lebic: Modernism and the Vernacular - Ira Prodanov Krajisnik Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness -
520 $a The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar <<universality>> was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.
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650 0 $a Postmodernism. $3 518727
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856 4 0 $u https://www.peterlang.com/document/1050069