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The modernist screenplay = experimen...

Ksenofontova, Alexandra.

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The modernist screenplay = experimental writing for silent film /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The modernist screenplay/ by Alexandra Ksenofontova.
Reminder of title:	experimental writing for silent film /
Author:	Ksenofontova, Alexandra.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xi, 241 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introducing the experimental screenplay -- 2. The screenplay between pragmatic and aesthetic functions -- 3. Pre-War screenwriting: Fist publications, first experiments -- 4. Interwar screenwriting in France: Scenario-poems, surrealism, and self-reflexivity -- 5. The screenplay after the Russian Revolution: For and against "facticity" -- 6. "Expressionist" screenwriting and the "ennoblement" of Weimar cinema -- 7. Modernist screenwriting against the crisis of reason -- 8. Representing despite the crisis of representation: The fallacies of modernist screenwriting -- 9. Rhythmic screenplays: Beyond dualisms -- 10. Conclusion. Techniques and functions of experimental screenwriting.
Contained By:	Springer Nature eBook
Subject:	Motion picture plays - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-030-50589-9
ISBN:	9783030505899

The modernist screenplay = experimental writing for silent film /
Ksenofontova, Alexandra.

The modernist screenplayexperimental writing for silent film /[electronic resource] :by Alexandra Ksenofontova. - Cham :Springer International Publishing :2020. - xi, 241 p. :ill., digital ;24 cm. - Palgrave studies in screenwriting. - Palgrave studies in screenwriting..

1. Introducing the experimental screenplay -- 2. The screenplay between pragmatic and aesthetic functions -- 3. Pre-War screenwriting: Fist publications, first experiments -- 4. Interwar screenwriting in France: Scenario-poems, surrealism, and self-reflexivity -- 5. The screenplay after the Russian Revolution: For and against "facticity" -- 6. "Expressionist" screenwriting and the "ennoblement" of Weimar cinema -- 7. Modernist screenwriting against the crisis of reason -- 8. Representing despite the crisis of representation: The fallacies of modernist screenwriting -- 9. Rhythmic screenplays: Beyond dualisms -- 10. Conclusion. Techniques and functions of experimental screenwriting.

The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays-the modernist screenplays-challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.

ISBN: 9783030505899

Standard No.: 10.1007/978-3-030-50589-9doiSubjects--Topical Terms:

583408
Motion picture plays
--History and criticism.

LC Class. No.: PN1996 / .K746 2020

Dewey Class. No.: 809.23

The modernist screenplay = experimental writing for silent film /
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505 0 $a 1. Introducing the experimental screenplay -- 2. The screenplay between pragmatic and aesthetic functions -- 3. Pre-War screenwriting: Fist publications, first experiments -- 4. Interwar screenwriting in France: Scenario-poems, surrealism, and self-reflexivity -- 5. The screenplay after the Russian Revolution: For and against "facticity" -- 6. "Expressionist" screenwriting and the "ennoblement" of Weimar cinema -- 7. Modernist screenwriting against the crisis of reason -- 8. Representing despite the crisis of representation: The fallacies of modernist screenwriting -- 9. Rhythmic screenplays: Beyond dualisms -- 10. Conclusion. Techniques and functions of experimental screenwriting.
520 $a The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays-the modernist screenplays-challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.
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