東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

A sociology of sound technicians = m...

Battentier, Andy.

FindBook

Google Book

Amazon

博客來

A sociology of sound technicians = making the show go on /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A sociology of sound technicians/ by Andy Battentier.
其他題名:	making the show go on /
作者:	Battentier, Andy.
出版者:	Wiesbaden :Springer Fachmedien Wiesbaden : : 2021.,
面頁冊數:	xxxi, 140 p. :ill., digital ;24 cm.
內容註:	INTRODUCTION: SOUND ENGINEERS AS A RESEARCH OBJECT -- TECHNICAL INTERMEDIARIES AND THE AGENCY OF OBJECTS: QUESTIONING GENERALIZED SYMMETRY -- A COMPARATIVE APPROACH TO MAKING A LIVING FROM SOUND ENGINEERING -- CREATIVE CRAFT IN MUSIC: CAREERS AND ROLES OF SOUND TECHNICIANS -- THE POWER OF SOUND TECHNICIANS OVER THE SCRIPT: NEGOTIATIONS AROUND THE SHAPE OF THE PERFORMANCE'S OBJECT -- GROUP ENGAGEMENT OF TECHNICIANS AND AUDIENCES IN CONCERTS -- CONCLUSION: TECHNICAL ABILITY, ART WORLDS, AND PERFORMANCE PERSPECTIVE.
Contained By:	Springer Nature eBook
標題:	Sound engineers. -
電子資源:	https://doi.org/10.1007/978-3-658-33029-3
ISBN:	9783658330293

A sociology of sound technicians = making the show go on /
Battentier, Andy.

A sociology of sound techniciansmaking the show go on /[electronic resource] :by Andy Battentier. - Wiesbaden :Springer Fachmedien Wiesbaden :2021. - xxxi, 140 p. :ill., digital ;24 cm. - Musik und gesellschaft,0259-076X. - Musik und gesellschaft..

INTRODUCTION: SOUND ENGINEERS AS A RESEARCH OBJECT -- TECHNICAL INTERMEDIARIES AND THE AGENCY OF OBJECTS: QUESTIONING GENERALIZED SYMMETRY -- A COMPARATIVE APPROACH TO MAKING A LIVING FROM SOUND ENGINEERING -- CREATIVE CRAFT IN MUSIC: CAREERS AND ROLES OF SOUND TECHNICIANS -- THE POWER OF SOUND TECHNICIANS OVER THE SCRIPT: NEGOTIATIONS AROUND THE SHAPE OF THE PERFORMANCE'S OBJECT -- GROUP ENGAGEMENT OF TECHNICIANS AND AUDIENCES IN CONCERTS -- CONCLUSION: TECHNICAL ABILITY, ART WORLDS, AND PERFORMANCE PERSPECTIVE.

If art, and especially music, has been framed in cultural sociology as a collective production relying on a variety of actors, technicians have been mostly framed as "support personnel" marginally impacting the meaning of a cultural production. This book analyzes sound technicians as technical intermediaries. They are autonomous actors of cultural production, and contribute in various ways to the meaning of live or recorded music performances, framed as a form of interaction rituals. From this analysis, it argues that artists should not be considered at the center of art worlds, and proposes a model including various types of actors in different roles, all necessary to produce a cultural object. About the author: Andy Battentier is a PhD in cultural sociology and former sound technician for theater and music.

ISBN: 9783658330293

Standard No.: 10.1007/978-3-658-33029-3doiSubjects--Topical Terms:

3501664
Sound engineers.

LC Class. No.: ML429

Dewey Class. No.: 620.2092

A sociology of sound technicians = making the show go on /
LDR:02384nmm a2200349 a 4500 001 2242468
003 DE-He213
005 20210723132250.0
006 m d
007 cr nn 008maaau
008 211207s2021 gw s 0 eng d
020 $a 9783658330293 $q (electronic bk.)
020 $a 9783658330286 $q (paper)
024 7 $a 10.1007/978-3-658-33029-3 $2 doi
035 $a 978-3-658-33029-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML429
072 7 $a JP $2 bicssc
072 7 $a POL038000 $2 bisacsh
072 7 $a JP $2 thema
072 7 $a JBCC $2 thema
082 0 4 $a 620.2092 $2 23
090 $a ML429 $b .B335 2021
100 1 $a Battentier, Andy. $3 3501663
245 1 2 $a A sociology of sound technicians $h [electronic resource] : $b making the show go on / $c by Andy Battentier.
260 $a Wiesbaden : $b Springer Fachmedien Wiesbaden : $b Imprint: Springer VS, $c 2021.
300 $a xxxi, 140 p. : $b ill., digital ; $c 24 cm.
490 1 $a Musik und gesellschaft, $x 0259-076X
505 0 $a INTRODUCTION: SOUND ENGINEERS AS A RESEARCH OBJECT -- TECHNICAL INTERMEDIARIES AND THE AGENCY OF OBJECTS: QUESTIONING GENERALIZED SYMMETRY -- A COMPARATIVE APPROACH TO MAKING A LIVING FROM SOUND ENGINEERING -- CREATIVE CRAFT IN MUSIC: CAREERS AND ROLES OF SOUND TECHNICIANS -- THE POWER OF SOUND TECHNICIANS OVER THE SCRIPT: NEGOTIATIONS AROUND THE SHAPE OF THE PERFORMANCE'S OBJECT -- GROUP ENGAGEMENT OF TECHNICIANS AND AUDIENCES IN CONCERTS -- CONCLUSION: TECHNICAL ABILITY, ART WORLDS, AND PERFORMANCE PERSPECTIVE.
520 $a If art, and especially music, has been framed in cultural sociology as a collective production relying on a variety of actors, technicians have been mostly framed as "support personnel" marginally impacting the meaning of a cultural production. This book analyzes sound technicians as technical intermediaries. They are autonomous actors of cultural production, and contribute in various ways to the meaning of live or recorded music performances, framed as a form of interaction rituals. From this analysis, it argues that artists should not be considered at the center of art worlds, and proposes a model including various types of actors in different roles, all necessary to produce a cultural object. About the author: Andy Battentier is a PhD in cultural sociology and former sound technician for theater and music.
650 0 $a Sound engineers. $3 3501664
650 0 $a Culture. $3 517003
650 1 4 $a Cultural Policy and Politics. $3 3134693
650 2 4 $a Organizational Studies, Economic Sociology. $3 1566071
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Musik und gesellschaft. $3 3379780
856 4 0 $u https://doi.org/10.1007/978-3-658-33029-3
950 $a Social Sciences (SpringerNature-41176)