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Early modern intertextuality

Carter, Sarah.

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Early modern intertextuality

Record Type:	Electronic resources : Monograph/item
Title/Author:	Early modern intertextuality/ by Sarah Carter.
Author:	Carter, Sarah.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	ix, 118 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Chapter One: Early modern intertextuality: post structuralism, narrative systems, and A Midsummer Night's Dream -- 2. Chapter Two: Allegory, Structuralism, and Intertextuality: Sir Francis Bacon's Wisdom of the Ancients -- 3. Chapter Three: Folklore as a narrative system: old wives, seasonal cycles, and culture wars -- 4. Chapter Four: Parody and Intertextuality: the Ovidian epyllia -- 5. Chapter Five: Intertextuality and Satire: Ben Jonson's Poetaster -- 6. Chapter Six: Chapter Six: Text, Intertext, Hypertext?
Contained By:	Springer Nature eBook
Subject:	Intertextuality. -
Online resource:	https://doi.org/10.1007/978-3-030-68908-7
ISBN:	9783030689087

Early modern intertextuality
Carter, Sarah.

Early modern intertextuality[electronic resource] /by Sarah Carter. - Cham :Springer International Publishing :2021. - ix, 118 p. :ill., digital ;24 cm. - Early modern literature in history,2634-5919. - Early modern literature in history..

1. Chapter One: Early modern intertextuality: post structuralism, narrative systems, and A Midsummer Night's Dream -- 2. Chapter Two: Allegory, Structuralism, and Intertextuality: Sir Francis Bacon's Wisdom of the Ancients -- 3. Chapter Three: Folklore as a narrative system: old wives, seasonal cycles, and culture wars -- 4. Chapter Four: Parody and Intertextuality: the Ovidian epyllia -- 5. Chapter Five: Intertextuality and Satire: Ben Jonson's Poetaster -- 6. Chapter Six: Chapter Six: Text, Intertext, Hypertext?

This book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies 'source' texts. The book analyses several key early modern texts through this lens, arguing that the period's conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers' utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars.

ISBN: 9783030689087

Standard No.: 10.1007/978-3-030-68908-7doiSubjects--Topical Terms:

593054
Intertextuality.

LC Class. No.: PN98.I58 / C378 2021

Dewey Class. No.: 809

Early modern intertextuality
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505 0 $a 1. Chapter One: Early modern intertextuality: post structuralism, narrative systems, and A Midsummer Night's Dream -- 2. Chapter Two: Allegory, Structuralism, and Intertextuality: Sir Francis Bacon's Wisdom of the Ancients -- 3. Chapter Three: Folklore as a narrative system: old wives, seasonal cycles, and culture wars -- 4. Chapter Four: Parody and Intertextuality: the Ovidian epyllia -- 5. Chapter Five: Intertextuality and Satire: Ben Jonson's Poetaster -- 6. Chapter Six: Chapter Six: Text, Intertext, Hypertext?
520 $a This book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies 'source' texts. The book analyses several key early modern texts through this lens, arguing that the period's conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers' utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars.
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