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Image, art and virtuality = towards ...

Diodato, Roberto.

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Image, art and virtuality = towards an aesthetics of relation /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Image, art and virtuality/ by Roberto Diodato.
Reminder of title:	towards an aesthetics of relation /
Author:	Diodato, Roberto.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xv, 94 p. :ill., digital ;24 cm.
[NT 15003449]:	System and Relation -- The Person and their Image -- Aisthesis, Art, Virtuality.
Contained By:	Springer Nature eBook
Subject:	Aesthetics. -
Online resource:	https://doi.org/10.1007/978-3-030-67784-8
ISBN:	9783030677848

Image, art and virtuality = towards an aesthetics of relation /
Diodato, Roberto.

Image, art and virtualitytowards an aesthetics of relation /[electronic resource] :by Roberto Diodato. - Cham :Springer International Publishing :2021. - xv, 94 p. :ill., digital ;24 cm.

System and Relation -- The Person and their Image -- Aisthesis, Art, Virtuality.

This book investigates the ontological state of relations in a unique way. Starting with the notion of system, it shows that the system can be understood as a relational structure, and that relations can be assessed within themselves, with no need to transform relations in elements. "Relations" are understood in contrast to "relational property": without a relation there is no identity, therefore no existence. What allows us to do that without hypostatizing the relation, and without immediately taking it simply as a causal relation, can be better grasped, possibly, in reference to a few entities that make best display of their systemic nature, for example images, works of art, and virtual bodies. This book shows how virtual bodies are ontological hybrids representing a type of entity that has never appeared in the world before. This entity becomes a phenomenon in interactivity and evades the dichotomy between "external" and "internal"; it is neither a cognitive product of the consciousness, nor an image of the mind. The user is well aware of experiencing another reality, also in the sense of a paradoxical reduplication of perceptual synthesis. The virtual body-environment is therefore simultaneously external and internal, with virtual bodies-environments to be seen as artificial windows to an intermediary world. In this intermediary world, the space itself is the result of interactivity; the world takes place in the sense or feeling of immersion experienced by the user; and the body, perceived as "other", takes upon itself the sense of its reality, of its effectiveness, as an imaginary and pathic incision, as a production of desire and emotion, to the point that the feeling of reality conveyed by a virtual environment will rely significantly on how this environment produces emotions in the users.

ISBN: 9783030677848

Standard No.: 10.1007/978-3-030-67784-8doiSubjects--Topical Terms:

523036
Aesthetics.

LC Class. No.: BH39

Dewey Class. No.: 111.85

Image, art and virtuality = towards an aesthetics of relation /
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520 $a This book investigates the ontological state of relations in a unique way. Starting with the notion of system, it shows that the system can be understood as a relational structure, and that relations can be assessed within themselves, with no need to transform relations in elements. "Relations" are understood in contrast to "relational property": without a relation there is no identity, therefore no existence. What allows us to do that without hypostatizing the relation, and without immediately taking it simply as a causal relation, can be better grasped, possibly, in reference to a few entities that make best display of their systemic nature, for example images, works of art, and virtual bodies. This book shows how virtual bodies are ontological hybrids representing a type of entity that has never appeared in the world before. This entity becomes a phenomenon in interactivity and evades the dichotomy between "external" and "internal"; it is neither a cognitive product of the consciousness, nor an image of the mind. The user is well aware of experiencing another reality, also in the sense of a paradoxical reduplication of perceptual synthesis. The virtual body-environment is therefore simultaneously external and internal, with virtual bodies-environments to be seen as artificial windows to an intermediary world. In this intermediary world, the space itself is the result of interactivity; the world takes place in the sense or feeling of immersion experienced by the user; and the body, perceived as "other", takes upon itself the sense of its reality, of its effectiveness, as an imaginary and pathic incision, as a production of desire and emotion, to the point that the feeling of reality conveyed by a virtual environment will rely significantly on how this environment produces emotions in the users.
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