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Audio technology, music, and media =...

Ashbourn, Julian.

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Audio technology, music, and media = from sound wave to reproduction /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Audio technology, music, and media/ by Julian Ashbourn.
Reminder of title:	from sound wave to reproduction /
Author:	Ashbourn, Julian.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xii, 142 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.
Contained By:	Springer Nature eBook
Subject:	Sound - Recording and reproducing. -
Online resource:	https://doi.org/10.1007/978-3-030-62429-3
ISBN:	9783030624293

Audio technology, music, and media = from sound wave to reproduction /
Ashbourn, Julian.

Audio technology, music, and mediafrom sound wave to reproduction /[electronic resource] :by Julian Ashbourn. - Cham :Springer International Publishing :2021. - xii, 142 p. :ill., digital ;24 cm.

Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.

ISBN: 9783030624293

Standard No.: 10.1007/978-3-030-62429-3doiSubjects--Topical Terms:

561286
Sound
--Recording and reproducing.

LC Class. No.: TK7881.4

Dewey Class. No.: 621.3893

Audio technology, music, and media = from sound wave to reproduction /
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505 0 $a Introduction -- How the war changed audio -- The V record label for US troops -- Stereo sound, multi-channel sound, film sound and more -- The physics of sound -- The advent of tape and moving coil microphones -- The development of microphone techniques -- Multi-channel Tape recorders -- The advent of the Big Studios -- The record business -- The Maverick producers and freelance engineers -- The big time with 24 track everywhere and heaps of signal processing -- How the technology changed the music -- Classical music recording is effectively broken by the technology -- Digital arrives, but something is not right -- A to D and D to A convertors and compressors in the digital domain -- High resolution Digital recording and re-sampling -- Lossless compression -- The revolution in playback technology -- The social revolution in consumed music -- The change in musicians -- How to do things properly -- The use of Digital Audio Workstations and the impact on music -- Why recordings sound worse now than they did in the 50s and 60s -- Music and Civilisation and why it is important -- Where is the future archive for serious music being produced now -- Are advances in technology always good -- Teaching Audio Engineers -- The future -- Conclusion.
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